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...lunatic," said the butterfly hunter. "Oh. Then probably you wouldn't know the way to Nocknagel Road." But the lepidopterist does, and eventually the searcher lands where he belongs, in the arms of a beautiful poodle. Which is all right: the hero is fond of putting on the dog. In Tiffky Doofky (Farrar. Straus & Giroux; $7.95), William Steig shows why his juvenile following equals the Pied Piper's, and how four decades as a New Yorker cartoonist have taught him exactly where and how to pull his punch lines...

Author: /time Magazine | Title: Books: A Rainbow of Colorful Reading | 12/4/1978 | See Source »

...fond grandmother to the global village

Author: /time Magazine | Title: Behavior: Margaret Mead: 1901-1978 | 11/27/1978 | See Source »

Betrayal is blessed in its stars. Massey's Robert speaks with a honed intelligence. The presence of Wilton's Emma would warm any flat, and as for Gambon's Jerry, he is a fond slave of love, though perhaps too passive to be a literary agent. Few playgoers can have left The Caretaker and The Homecoming without being viscerally shaken up. Quite a few may leave Betrayal, with its anesthetized passions, feeling vaguely shaken down...

Author: /time Magazine | Title: Theater: Splinteresque | 11/27/1978 | See Source »

White South Africans are fond of drawing parallels between their country and the U.S. The Puritans landed at Plymouth Rock only a few years before the first Dutch settlers came to the Cape of Good Hope; the westward movement in the U.S. came at the same time as the Afrikaaners moved north in covered wagons on their Voortrek. Both countries had gold rushes in the nineteenth century; both countries had to fight the British for their independence. The only reason America doesn't have South Africa's problems today, they'll tell you, is that the early Americans were better...

Author: NO WRITER ATTRIBUTED | Title: Life in South Africa: An Outsider Goes Inside | 11/18/1978 | See Source »

...emphasis on tight plotting and revolving guests, the series does not scrimp on atmosphere or the incidental grace notes that so enriched Upstairs, Downstairs. The supply of gifted British character actors seems as inexhaustible as ever. John Rapley does several small but exquisitely understated turns as Louisa's fond, henpecked father; his face looks like a suet pudding garnished with two cocktail onions and a stray mustache. The sets are lavish collages of deep textures and polished surfaces, and the outdoor locations seem almost too spacious for the limited confines of the television screen. When Louisa goes marketing, she walks...

Author: /time Magazine | Title: Television: There's a Small Hotel | 11/6/1978 | See Source »

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