Word: fonteyn
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Dates: during 2000-2009
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Alternating between first person and third person omniscient narration, Sharp vividly renders the inner lives of both 20th century legends—Balanchine and his muse Suzanne Farrell, Margot Fonteyn and Rudolf Nureyev, among others—and her own fictive characters—primarily figured as members of the real NYCB or American Ballet Theater (ABT). She lends an aura of verisimilitude to her readers’ vicarious participation in the lived experience of dance...
...exerting an influence beyond the end of a show's run. Not so the fabled British designer Oliver Messel's scheme for the Royal Ballet's The Sleeping Beauty, first staged in London in 1946. When it opened in New York City in 1949, wrote the legendary ballerina Margot Fonteyn, "Applause greeted the set before anyone danced a step." (Though five other designers of The Sleeping Beauty have been subsequently commissioned, Messel's was a fairy-tale setting the Royal reckoned had never been bettered: to mark its 75th anniversary, the company has re-created the set at London...
...show's run. Not so the fabled British designer Oliver Messel's scheme for the Royal Ballet's The Sleeping Beauty, first staged in London in 1946.[an error occurred while processing this directive] When it opened in New York City in 1949, wrote the legendary ballerina Margot Fonteyn, "Applause greeted the set before anyone danced a step." (Though five other designers of The Sleeping Beauty have been subsequently commissioned, Messel's was a fairy-tale setting the Royal reckoned had never been bettered: to mark its 75th anniversary, the company has re-created the set at London's Royal...
Shearer's Royal Ballet colleague Margot Fonteyn was by 1948 the world's top ballet dancer. Her grace, sense of drama and ability to remain en pointe for seemingly minutes on end won her wide acclaim (and the cover of TIME). Later, when she was in her 40s, she found new life and a new lover with young Rudolf Nureyev. But her story was gaudier than her renown: the stuff of affairs, abortions, gunrunning for her Panamanian husband, an old age stripped of wealth, burial in a pauper's grave. Tony Palmer's thrilling 2005 documentary brims with pertinent clips...
...Cole's Nature Boy in a solitary spot, then segues into a series of increasingly colorful, abstract production numbers. Dion is at center stage for some songs and hovers at the edges during others while an usher character provides comic relief. The dancers--with moves veering from Flashdance to Fonteyn--are electric. The LED screen provides crisp and dynamic scenery. Dion's voice sounds fantastic...