Word: fonteyn
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...1930s, Shanghai's Russian community had swelled to more than 10,000 and was the second biggest in the city after the Japanese. Its members staged operas, ballets and plays?one former ballerina even taught a young Margot Fonteyn to dance?and their restaurants, millineries and fur shops helped give the French Concession its cosmopolitan character. Every self-respecting Chinese gangster had a bevy of White Russian bodyguards riding on the running boards of his Chevrolet...
...years, there has hardly been a lack of them. In the 1970s and early '80s, the international roster included Natalia Makarova, Suzanne Farrell, Gelsey Kirkland, Cynthia Gregory and Carla Fracci. In those days there were also thrilling partnerships that sold out houses worldwide. In Britain the great linkage of Fonteyn and Nureyev was followed by the pairing of Antoinette Sibley and Anthony Dowell. Erik Bruhn and Fracci raced about the world bolstering the box office at various companies. Baryshnikov was the pivot in two blazing partnerships: one with Makarova that reached back to the pair's Russian roots...
...first of the postwar ballet superstars, vastly increasing the dance audience. It is no exaggeration to say he burst upon the West, defecting in Paris at age 23 after being ordered back to the U.S.S.R. in the middle of a Kirov Ballet tour. His partnership with Margot Fonteyn, prima ballerina of London's Royal Ballet, was the most famous of the century: her ineffable femininity, his feral grace. She called him "a young lion leaping," and wild he was. His tempers were fearsome, his demands insatiable. Unwilling to settle with one company, he put no limits on his own worth...
...Fonteyn spotted him quickly after his 1961 defection. His entry into the Royal Ballet is legendary. No one had ever seen anyone of his primitive, utterly uncompromising power, and they were awestruck. For Fonteyn it was an extension of a great career. For the well-mannered, well-schooled dancers it was a shock. "He was more than temperamental," recalls American Ballet Theater ballet mistress Georgina Parkinson, then a soloist with the Royal. "But when he staged La Bayadere, he came to us as a dancer. He understood our shortcomings and was tireless in helping us and broadening our horizons." That...
...story of a white goddess who falls in love with a rubber tapper, angering both the Amazon tribe that adores her and the forest itself. The ballet, described by choreographer Dalal Achcar as "a poetic fantasy," is an expanded version of one she originally created for Margot Fonteyn...