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...Spain last week, all musical roads led to Granada. There, to the historic shadows of the old Moorish Alhambra, came a crowd of festival fans and such internationally famed performers as Guitarist Andrés Segovia, Harpist Nicanor Zabaleta, Ballerina Margot Fonteyn and the Sadler's Wells Ballet. For Granada, it was the windup of a fortnight of music and dance, the second in two years, which the city fondly hopes will become an annual affair eventually rivaling Bayreuth, Salzburg and Edinburgh...

Author: /time Magazine | Title: Music: Floodlights on the Alhambra | 7/13/1953 | See Source »

From then on. the Queen of Tonga was a hit wherever she went. Her street clothes were unremarkable, her manner motherly and informal, but she maintained an air of dignity and genuine queenliness. She turned up at the ballet to see Margot Fonteyn dance Sleeping Beauty, at Lord's to watch the cricket, hefted babies at the Chelsea welfare center, inspected Canterbury and Cambridge...

Author: /time Magazine | Title: GREAT BRITAIN: Smiling in the Rain | 6/29/1953 | See Source »

Britain's Prima Ballerina Margot Fonteyn, appearing at the University of Leeds for an honorary D. Litt., was happy to call herself "the dancing doctor of letters," but really did not think she was up to the academic honor. Said she: "I am probably the most illiterate of all the ballerinas you have heard...

Author: /time Magazine | Title: People, Jun. 1, 1953 | 6/1/1953 | See Source »

London's Covent Garden exploded with applause at the first appearance in six months of Britain's Prima Ballerina Margot Fonteyn. An attack of diphtheria last October had left strange complications. Her legs and arms were numb and nerveless. In January she said: "At the moment, I can't do even the easiest dance." By last week she felt ready to appear in the undemanding ballet Apparitions, and summoned her oldest friends to rally round. Instead of a few friendly faces, she drew a capacity audience of some 2,000 which gave Margot 14 curtain calls...

Author: /time Magazine | Title: People, Mar. 30, 1953 | 3/30/1953 | See Source »

Technically, the dancing was almost always good, but it was seldom exciting. Australian-born Elaine Fifield, sometimes touted as the heiress apparent to the senior ballet's Margot Fonteyn, showed off flawless timing and technique. But at 21 she lacks the fire, brilliance and riveting personality that distinguish a prima ballerina from a principal dancer. Lithuanian-born Co-Star Svetlana Beriosova had elegance and style, but not the breathtaking precision of either Fonteyn or the New York City Ballet's Maria Tallchief. The male dancers were strong, but none yet looked like another Eglevsky (New York City Ballet...

Author: /time Magazine | Title: Music: British Ballet, Jr. | 4/7/1952 | See Source »

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