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...FOOL KILLER and THE BOYS OF PAUL STREET. In The Fool Killer, a runaway twelve-year-old orphan comes to the beginning of maturity through a series of picaresque adventures. The call to action in The Boys of Paul Street is a dispute over the last vacant lot in town. Both films are tragicomedies that are focused on -and for-youth...

Author: /time Magazine | Title: Time Listings: Jul. 25, 1969 | 7/25/1969 | See Source »

...FOOL KILLER and THE BOYS OF PAUL STREET. In The Fool Killer, a runaway twelve-year-old orphan comes to the beginning of maturity through a series of picaresque adventures. The call to action in The Boys of Paul Street is a dispute over the last vacant lot in town. Both films are tragicomedies that are focused on -and for-youth...

Author: /time Magazine | Title: Television: Jul. 18, 1969 | 7/18/1969 | See Source »

...twelve-year-old orphan named George (Edward Albert) runs away from his guardians. His life takes on a Huckleberry hue, and a series of encounters leads him to the beginning of maturity. His first is with Dirty Jim (Henry Hull), an unregenerate old buzzard who prattles of "a fool killer," who poleaxes wrongdoers as they sleep. The figure haunts George's dreams until he actually finds him in the person of another fugitive: Milo Bogardus (Anthony Perkins...

Author: /time Magazine | Title: Cinema: Gothic Legend | 6/27/1969 | See Source »

...feet. The next morning the preacher is found hacked to death and Milo has vanished. George pushes on to a new town and eventually to a new home. But he knows that he has not seen the last of his friend. When Milo returns, it is as the fool killer, axe in hand, prepared to fulfill the prophecy of Dirty Jim's legend...

Author: /time Magazine | Title: Cinema: Gothic Legend | 6/27/1969 | See Source »

...filters to turn day into night, are rarely used today. Moreover, the local color is often put in by rote, as when Milo philosophizes, "Cities 'n' houses . . . come between us 'n' God," or when George addresses the camera in an arch epilogue. Yet The Fool Killer remains valid for two reasons. In its picaresque exploration of a naive, vanished America, it meanders into the Twain tradition of American fiction. And in its stinging exploration of God-haunted gothic territory, it demonstrates that no ethnic group has ever had an exclusive hold on guilt...

Author: /time Magazine | Title: Cinema: Gothic Legend | 6/27/1969 | See Source »

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