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...evangelism of the Protestant churches. No one can say we are narrow-minded in our attitude toward living. In your "Reflections from an Irregular Planet," one that could have been included is the well-known quotation of Luther's: "Who loves not women, wine and song remains a fool his whole life long." Luther did not mind admitting that he was human, something many theologians of today will...

Author: /time Magazine | Title: Letters: Apr. 7, 1967 | 4/7/1967 | See Source »

...David Scondras as Malvolio (his hair is disarranged) is a natural comic, but he is a bedraggled sad sack, and Malvolio is not. Robert MacDonald might be able to act if he didn't have to concentrate on sounding as though he were being strangled. Terry Lautz as the fool Feste sings with the mysteriously sweet voice one associates with revelations by deep mountain pools...

Author: By Charles F. Sabel, | Title: Twelfth Night | 3/13/1967 | See Source »

...adversaries have undergone some renovations too. In the first Drummond adventure, Irma was described as a sultry brunette who spoke in silent-movie captions ("Mon Dieu, you ugly man! Tell me why you are such a fool!"). In this film, she is introduced as the svelte blonde secretary of an oil magnate who maintains his executive offices in a private jetliner. "Your cigar, sir," murmurs Irma (Elke Sommer), as she extracts a plump Corona from her ruffled cigarter. The boss lights up, draws deep, looks faintly startled as the cigar explodes a .38 slug that rips through the back...

Author: /time Magazine | Title: Cinema: Dulldog HumDrummond | 3/10/1967 | See Source »

...with the ring and the dagger, rather than with the body, which is scarcely examined and then only for a second's slap across the cheeks to be sure it's really dead. In the film's most immediately powerful sequence, he spells out his self-disgust by carving "FOOL" in his forearm with a razorblade. The scene is beautifully shot with relentlessly detached clinicism that is almost unbearable. In Lerner, Hunter has faithfully recorded the conventions of the French/American tough guy: his slovenlieness, his resistance, his attempt to be sphynxlike. But in the character's most Bogartian moment...

Author: By Timothy S. Mayer, | Title: Sinister Madonna | 3/3/1967 | See Source »

Lear's Fool. No one follows this pie-eyed piper, and he follows no one; his most faithful companion is the skeleton of a woman, the least troublesome kind of female from his point of view. In every town he knows the jails, the madhouses, the cantinas and the churches. He wears rags sewn with tiny bells, each of which tinkles a note that in his mind symbolizes the special vice of each place he has visited. He is a spiv, and his roguish capacity for survival unites him with Ulysses, Tom Jones and Huckleberry Finn. Yet Pito remains...

Author: /time Magazine | Title: Books: Opera for a Penny Whistle | 2/17/1967 | See Source »

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