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...popular media went through mid-high culture, not low. In his early 20s, Welles wouldn?t have considered for one moment seeming less mature or intelligent than he was. He didn?t play to the groundlings; he figured they would climb up to meet him. He and Houseman would fool them into think-ing enlightenment was entertainment. This tendency to edify enchantingly was clearest in the author sketches with which Welles often introduced the evening?s story. Note the confident scholarship - the mixture of history and an-ecdote, the oral eyebrow raised at "establishments," the almost sexual acceleration of subsidiary...

Author: /time Magazine | Title: That Old Feeling: Mercury, God of Radio | 8/27/2001 | See Source »

...majestic senior citizen doomed to play the vampire yet determined to play it to the hilt. And Welles sounds hokiest, and farthest from his own prodigious, wandering youth, when imitating the thin, whiny timbre of small-town America's young men in such period pieces as "I'm a Fool," "Seventeen," "Ah, Wilderness!" and "The Magnificent Ambersons." To hear him grow, and grow old, in a single hour, listen to his Edmond Dantes. The immature, innocent tones are tortured out of him; as he withers in prison, and is schooled in bitterness, his voice trudges down an octave, until...

Author: /time Magazine | Title: That Old Feeling: Mercury, God of Radio | 8/27/2001 | See Source »

Civilizations rise and fall, but decorative techniques hang around forever. At least that seems to be the case with trompe l'oeil, painting that aims to fool people into mistaking it for three-dimensional reality. Practiced by the ancient Egyptians and Greeks, mastered by the Dutch and named by the French, this "trick of the eye" is still very much with us and is turning up in some unusual new places...

Author: /time Magazine | Title: Can You Trompe This? | 8/13/2001 | See Source »

...artiste-savant act fool you. Moby is extremely shrewd when it comes to the pursuit of profit. After his 1999 album, Play, stalled on the charts because it couldn't break through niche-driven radio playlists, Moby and longtime managers Marci Weber and Barry Taylor devised a remarkable strategy in which all 18 album cuts were licensed for commercial use. Songs from Play showed up in ads for Nordstrom and Nissan, in an Oliver Stone movie and--egad!--on Veronica's Closet before finally muscling their way onto radio in between Limp Bizkit and Britney Spears...

Author: /time Magazine | Title: Music For The Masses | 7/23/2001 | See Source »

...someone fool the test...

Author: /time Magazine | Title: How to Trick a Polygraph | 7/11/2001 | See Source »

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