Word: footing
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Dates: during 1970-1979
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...starts three freshmen, Harvard goes with two sophomores--but the Longhorns carry a distinct height advantage. While 6-ft. 5-in. Mark Harris will face the task of guarding UT's highly-touted freshman postman LaSalle Thompson (6-ft. 10-in. out of Cincinnati), the Longhorns will keep seven-foot freshman Steve Frederick on the bench, waiting to compound the Crimson woes...
...hostages were sometimes bound to the chairs they sat in, or occasionally hand and foot. They tried to while away the hours by reading. In the beginning some hostages were blindfolded for days on end, and later guards capriciously bound the eyes of some again. On one occasion, the Iranian female guards watching the American women took away all books, though they gave them back when the Americans protested. With nothing to do, and kept immobile, the hostages spent hours thinking about the next meal, which meant both relief from hunger induced by boredom and freedom to move their arms...
Sadat and his official party, which included former U.S. Envoy Robert Strauss, were then driven to nearby St. Catherine's monastery. There the Egyptian President was shown the site where Moses, according to tradition, saw God in a burning bush; Sadat was given a three-foot tendril snipped from a plant growing on the spot. Upon his departure, the site of the flag-raising ceremonies swiftly emptied...
...problem that double practice sessions will not solve is a debilitating lack of height; only Holpuch stands above the six foot mark. Unless Kleinfelder can encourage immediate growth among the troops, the Crimson will have trouble getting second and third shots for the rest of the season...
...settings are truly lovely-symmetrical Palladian porticoes, marbled rooms with glowing frescoes and statuary, formal gardens opening on cypress-dotted vistas. Losey scatters the action of the opera over every photogenic square foot of them. Characters grope endlessly down pillared corridors, wander around outdoors and are unaccountably set afloat on gondolas. Consecutive scenes shift disconcertingly from nighttime to broad daylight and back again. Most of the music is lip-synched to a prerecorded track; inside or out, wind or rain, we hear the souped-up ambience of the recording studio. The result is that characters who ought to be interacting...