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...fidelity to Rostand's design rather than in the liberties it takes with his text. Flamboyantly theatrical, the play is given to such bald devices as the balcony scene in which Cyrano gulls Roxane into taking his voice for Christian's. Such broad strokes of old-fashioned footlight hokum seem glaringly magnified by the realistic eye of Director Michael Gordon's camera. The hard scrutiny of the lens also shows less mercy !han the stage for Cyrano's soft core of unblushing sentiment, unstinted gallantry, unending heroics. In this harsh light, middle-aged moviegoers who loved...

Author: /time Magazine | Title: The New Pictures, Nov. 20, 1950 | 11/20/1950 | See Source »

...rolled its portable television unit into Broadway's Alvin Theater, strung microphones along the footlight trough, and televised some carefully tidied-up scenes from Mister Roberts. It was the première of Lucky Strike's Tonight on Broadway (Tues. 7 p.m., CBS Television), the first of a series of televiews of Broadway hits. Like many a try out performance, the show needed tightening and pruning. It ran ten minutes overtime, poked around too long backstage. There were too many interviews (with Author Thomas Heggen, Producer Leland Hayward, Henry Fonda and the cast), too little of Mister Roberts...

Author: /time Magazine | Title: Radio: The Busy Air, Apr. 19, 1948 | 4/19/1948 | See Source »

Boby Clark is a last remnant of the American entertainment idiom characterized by the minstrel show, the burlesque and the one-two-three kick. Clark and his walking stick continue in the manner of Weber and Fields and other footlight pranksters: a little man who speaks softly and brings down the house. Viewed apart from Clark and the situation comedy he provokes, "Sweethearts" is not worth the few tunes that motivate its singers. All too often the usual operetta tomfoolery involving disguised counts and misplaced husbands is a little hard to stomach. Clark, however, patches things up nicely by injecting...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 10/20/1947 | See Source »

Ballet created by William Schuman and performed by Martha Graham and her company will be the core of the final concert, May 3. Carles Chavez "Dark Meadow," which saw a footlight debut in New York last winter by Miss Graham will conclude the evening...

Author: NO WRITER ATTRIBUTED | Title: Contributors Selected For Participation in Symposium Musicales | 10/7/1946 | See Source »

...married to Mature's sparring partner in the show, but keeps it a secret lest Mature leave the show flat. While the players struggle manfully with the complications this deception causes, several quite bearable dance routines and tunes are introduced. Sparked by Mature as the egocentric fighter, "Footlight Serenade" is altogether a pleasant little show...

Author: By H. B., | Title: MOVIEGOER | 10/6/1942 | See Source »

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