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Word: footlighters (lookup in dictionary) (lookup stats)
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...footlight lecture seems to be Vonnegut's forte, and the jawbone is his only weapon. Fortunately, it seems to be the funniest bone in his body. His sense of the absurdity of existence is quite antic and acute, though prevailingly collegiate, as epitomized in his title which features an innocent and irrelevant mite, Wanda June (Ariane Munker), who has been translated into heaven by a homicidal ice cream truck. In the role of the anti-hero hero, Kevin McCarthy is splendid. McCarthy has always been an actor with thought behind an ingratiating personality and imperishable good looks, and that...

Author: /time Magazine | Title: Theater: Catch-23, Skiddoo | 10/19/1970 | See Source »

...turned his back on a footlight fame that shines far beyond Italy. Son of a recently retired railroad worker, Fo was an enthusiastic amateur actor in his youth, appearing in student plays while studying architecture in Milan. At 24 he worked up a one-man act reciting monologues. His first nationwide success was a three-act tragi-comedy that examined the making of a hero, coming to the conclusion that the hero is only a creation of the "big boss," who used him to keep the workers distracted while the boss exploited them. His greatest hit, written...

Author: /time Magazine | Title: Plays Abroad: Italian Incendiary | 3/21/1969 | See Source »

Merrick buys, Merrick produces with crafty mastery of his craft. He has a strong sense of the large theatrical effect, yet no detail is too small to obsess his attention. He checks every footlight mike to make sure it is cased in rubbe-otherwise, the mikes pick up the actor's footfalls. He prowls about the sets in narrow-eyed search of peeling paint. He even makes elaborate taxi tours of the entire New York area to inspect all the billboards he has paid for. Once he climbed to a high perch in Yankee Stadium to see if a panning...

Author: /time Magazine | Title: Show Business: THE BE(A)ST OF BROADWAY | 3/25/1966 | See Source »

With the new season footlight-dragging along, playgoers' choices are largely limited to several holdovers of merit. A Man for All Seasons might have taken its theme from Shakespeare's "Every subject's duty is the King's but every subject's soul is his own." Torn between duty and conscience is Sir Thomas More, played by Emlyn Williams. There is fresh comedy in the conformist cry for nonconformity as raised by A Thousand Clowns. As a nonworking anti-square, Jason Robards Jr. is supported by a prize cast of plodballs. Jean Kerr...

Author: /time Magazine | Title: Cinema: Oct. 26, 1962 | 10/26/1962 | See Source »

...Bancroft nightly brings to Annie Sullivan, besides sheer physical stamina, is an extraordinary talent for observation, an ear and an eye for the small, significant detail that transforms mimicry into understanding. So the coarse, curbside intonations of The Bronx were erased with intuitive skill at the flare of a footlight and the rise of a curtain. Seesaw's Gittel spoke with an inflection that convinced thousands of theatergoers that the actress must be Jewish ("I didn't even know what a Jew was until I was grown up," says Anne Bancroft). As Annie Sullivan, Actress Bancroft erases...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

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