Word: foppishness
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...Grisham but is virtually unknown here in the benighted Western world. (Akunin is actually the pen name of a respected Georgian academic, Grigory Chkhartishvili. Don't worry, no one in Russia can pronounce it either.) The case of the suicidal swain lands in the lap of a fresh-faced, foppish but surprisingly resourceful young detective named Erast Fandorin, who quickly becomes swept up in a glamorous whirl of moneyed expatriates and gambling, champagne-guzzling aristocrats. You'll understand right away what the Russians see in Akunin: he writes gloriously pre-Soviet prose, sophisticated and suffused in Slavic melancholy and thoroughly...
...miss, suffering not because of weak voices or poor acting, but because of odd choices (and in many cases, a complete absence of choices). As the Princes, Christian E.K. Lerch ’04 and Dan P. Berwick ’01, lack chemistry and play so clueless and foppish that the obvious comedy of their duets, “Agony,” is undercut and their overall characterizations suffer. When Berwick, though, shares the stage with the Baker’s Wife or Cinderella he is on the exact right pitch. Karoun A. Demirjian...
...novel. Whether slyly flirting over office e-mail or whispering dirty names to his conquest, Grant displays his inner rogue with a sort of sleazy charm that seems to suit him much more than his previous “oopsy-daisy” roles as an inarticulate romantic with foppish hair...
...metier with the Beatles. He discovered them brash and raw, and without changing their music he shaped them and made them presentable for a mass audience that suckled on the television tube. No TV show in Britain (let alone America) would have embraced the leather-clad Beatles. The foppish suits and Olde World charm of that little bow at the end of each set sugar-coated the Beatles' jagged pill and made them irresistible...
...because they are equally petulant. Hamlet does not represent "the courtier's, soldier's, scholar's, eye," just a spoiled latch-key kid whose parents didn't hug him enough. Thankfully, the two are saved by the supporting cast. Bill Murray as Polonius injects significant pathos into Polonius' foppish politicking and Liev Schriber demonstrates some exceptionally tender moments before he departs in the opening act. In their short time together, this father-son duo exudes great paternal chemistry, which ends up more compelling than the shallow animosity between Claudius and Hamlet. The film improves in the second half, which...