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...curse that forces one to be "naughty" is Britishly weird, and as the driving dramatic element of the plot is inadequate. The second act, set in the castle of Ruddigore with the ninny Ruthven assuming the role of evil baronet, is humorous at first; the effect of the spooky forbears of Ruthven stepping out of their portraits is cool for a while. But when the spirits all start convincing Ruthven to be "bad," it just gets inane and silly. The conversion of Despard and Margaret from the morally loose characters of the first act to puritanical ministers of charity...

Author: By Joyelle H. Mcsweeney, | Title: Ruddigore--More Story, Less Time, Eh? | 12/8/1994 | See Source »

...evidence does not support this assertion, although Simenon, who provides reams of it, never realizes what a telling witness he is for his own prosecution. "Did I have periods of snobbery?" he asks his children and concludes that "I can frankly answer no." Yet he cannot forbear reminding them of all the impressive people and places they have experienced, thanks solely to their relationship to him. While he was hobnobbing with crowned heads and the likes of Chaplin, Cocteau and Jean Renoir, he always made sure that the physicians who watched over him and his growing brood were "world famous...

Author: /time Magazine | Title: Books: Witness for the Prosecution | 6/18/1984 | See Source »

...hailed as a panacea: 'Now we shall vanquish, now the machine will work!' Each had gone out with a whimper, leaving behind it the familiar English muddle, of which, more and more, in retrospect, he saw himself as a lifelong moderator. He had forborne, hoping others would forbear, and they had not. He had toiled in back rooms while shallower men held the stage. They held it still. Even five years ago he would never have admitted to such sentiments. But today, peering calmly into his own heart, Smiley knew that he was unled, and perhaps unleadable; that...

Author: /time Magazine | Title: Excerpt: Books, Dec. 31, 1979 | 12/31/1979 | See Source »

...anyone who ever drove a decrepit jacked up Studebaker always longed for. The show's charm arises mostly from the likenesses and the occasional contrasts between Jim and Jeremiah. Jim Rippe is aware that he takes the same delight in the appearance of power in machinery as his fictional forbear. Yet the intervening century has given Jim the additional consciousness that the deep-seated American reverence for mechanical power in itself is one of the causes which have led to a society in which machines are so complicated that they baffle most people. Jim's work evokes the parallel between...

Author: By Mary Scott, | Title: Imaginary Engines | 11/21/1973 | See Source »

...cannot forbear commentary on the CRIMSON article of 22 January, 1971. Even then I do not know in what capacity I make the following observations,though I should like to think that it is in a personal and not in any official role. I should state at the outset that I was not present at the meeting, was not involved in the plans for Mrs. DuBois's visit, and I confess I learnt of the episode at Sanders Theatre only from the pages of the Crimson...

Author: NO WRITER ATTRIBUTED | Title: The Begetter and the Misbegotten | 1/27/1971 | See Source »

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