Word: forbiddenness
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Dates: during 1990-1999
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...fluff" like Max, but he's one who has chosen to play it safe by repressing his desires. And, fortunately, several of the play's most powerfully written moments have translated well to film. Especially remarkable is a pivotal scene in Dachau in which Max and Horst, forbidden to touch and kept under the ever-vigilant eye of their guard, make love to each other by using only words--and discover that orgasm really is in the mind...
Paul Frohock '79 is the ambitious writer-actor-director who tries to mold Forbidden Fruits into a cogent plea for environmental sanity. The play lacks the credibility, acting, and surprise, however, that it needs to impress the polluting zealot with the gravity and foolishness of his actions. Polluting zealots aside, the play never seems to establish a rapport with its audience, leaving Forbidden Fruii up on the stage, away from the audience, a simple dialogue between some actors...
Paul Frohock '79, the ambitious playwright-actor-director who tries to mold Forbidden Fruits deals with a small, rural town with latent ambitions. A corporate nuke, Mr. Prometheus (David Lamb), charms the townspeople into believing his promises about the advantages of having a nuclear power plant in their town. The naive, eager community leaders, led by their mayor (Roy Stevenson), embrace the idea behind the plant and the potential wealth it promises. Only one maverick breaks the unanimity of the town's acceptance. Bailey, played haphazardly by Doug Floyd, questions the wisdom of having such a destructive potential in such...
While the prophecy of this play is a valid one, it is also one which has been done, and re-done too many times in the past few years. Forbidden Fruits is one of those ideas which have been done "too many times." In order to produce a play on this subject which is a memorable and lasting drama, it needs to be original. Not necessarily original in what it tries to purport, but original in the way it presents its theme. Forbidden Fruits offers a different stage set-up, but the dialogue and plot are too naive, simple...
...dismiss. The lines seem so unnatural to the actors at times that some actors start saying the lines--stop--then reword what they were saying, presumably to the way they were written. These errors eradicate whatever respect the play may have established with its audience--and that makes Forbidden Fruit a verboten show...