Word: forde
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Dates: during 1940-1949
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...never follow the logical forecasting rules," Mac said yesterday. "Past season records often mean next to nothing." HARVARD YALE Harshman g Symington Purinton rfb Laurent, Capt. Merck lfb Keating Mavor rhb Rabinowitz Ogden chb Andrews Blanco, Capt. lhb Hilllard Smith or Cate orf Fergusson Morse lrf Buchanan Potter cf Ford Lazarus lif Hawley Corrigan olf McKenney...
Repertory Manhattan last week greeted its first large-scale repertory theater since Eva Le Gallienne's famed enterprise folded in 1933. This time Miss Le Gallienne was again a leading spirit, but in partnership with Director Margaret Webster (Hamlet, Othello) and Producer Cheryl Craw ford (Porgy and Bess, The Tempest). It had taken the three of them two years to raise almost $300,000 from 144 stockholders (they resisted Hollywood) and to gather a permanent company, including Walter Hampden, Victor Jory, Ernest Truex and Actress Le Gallienne herself...
...would probably go up. Alloy steel (10% of the steel output), on which controls had already been removed with no price effect, would probably stay put or even decline. ¶ General Motors was the first to raise prices. It boosted car and truck prices an even $100 all around. Ford said he would hold the line. Chrysler Corp., which has started to make money, said nothing. ¶ Housing costs would soar over ceiling prices all down the line. But black markets and many bottlenecks would be ended and prices of some items-i.e., nails-would drop under black market...
...Darling Clementine. Director John Ford's handsome horse opera for the carriage trade, with Henry Fonda, Linda Darnell and Victor Mature (TIME...
With Clementine, Director Ford has accomplished more than an intelligent retelling of a hoary yarn. His camera sometimes pauses, with a fresh, childlike curiosity, to examine the shape and texture of a face, a pair of square-dancing feet, a scrap of desert landscape or a sunlit dusty road. The leisurely lens-a trick Europeans frequently overdo and Hollywood seldom attempts-makes some of Ford's black-&-white sequences as richly lifelike as anything ever trapped in Technicolor...