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During his junior year, Kevin joined the Dark Room, a collective of Black writers based in Boston, and travelled with them on their reading tours. That year, he was also selected for Bucknell's Seminar for Younger Poets and received a Ford Grant to reasearch one of the Beat Poets in San Fransisco. Recently, he has begun to publish outside of Harvard. He has published twice in Callallo and has poems forthcoming in the Graham House And Kenyon Reviews. And after graduation, Kevin will study poetry for two years on a Stegner Fellowship at Stanford, where he plans to publish...

Author: By Kelly A. E. mason, CRIMSON STAFF WRITER | Title: A Poet Who Is Wary of the 'Burden of Representation' | 6/4/1992 | See Source »

Liam T.A. Ford '91-'92 is an editor of The Crimson. This is his last editorial ever. We think...

Author: By Liam T.A. Ford, | Title: Killing the House System | 6/3/1992 | See Source »

...dramatic narrative of Rusty Sabich, a deputy prosecutor in a large, Midwestern city who is accused of murdering his colleague and former mistress, became the subject of the blockbuster movie directed by Alan Pakula and starring Harrison Ford...

Author: By Alessandra M. Galloni, | Title: twice proven | 6/3/1992 | See Source »

This time, however, the chiefs of General Motors, Ford and Chrysler had more than just the powers of reason and persuasion on their side. Almost simultaneously, a congressional committee in Washington was considering new production limits on Japanese cars, including even those manufactured in the U.S. More stunning to the Japanese, the Commerce Department ruled for the first time that Toyota and Mazda were illegally "dumping" minivans in the U.S. market. The Big Three American executives brushed aside the timing of these public actions as "only coincidental...

Author: /time Magazine | Title: Once More, With Backing | 6/1/1992 | See Source »

...comes the dramatizing of the diva's ego. No one has experienced or endured what she has; no one has been so mad, bad or sad. The woman in these songs is "blind, viciously unkind" (Why), "cynical, twisted" (Precious). If Emily Dickinson were to show up at the Betty Ford Center, she might testify, as Lennox does in Legend in My Living Room, "I've shed my tears in bitter drops/ Until the thorn trees bloomed/ To take the spiky fruit to crown/ Myself the Queen of Doom." The whole glorious album plays like an atonement for the excesses...

Author: /time Magazine | Title: Angst For Art's Sake | 5/25/1992 | See Source »

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