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Next Pakula had to give faces -- famous faces -- to Scott Turow's page people. Bonnie Bedelia plays Rusty Sabich's wife, Raul Julia his defense counsel, Brian Dennehy the prosecutor, Paul Winfield the judge, Greta Scacchi the luckless love. And as the accused, Pakula selected Harrison Ford, segueing handsomely from Star Wars and Indiana Jones hunkdom to acclaimed actor. The casting pleased Turow. "Ever since the book came out, people have been saying that I'm Rusty," he told Ford when they met. "I'm glad you're playing him. Now people will identify the character with...

Author: /time Magazine | Title: Books: All Rise! Action! | 6/11/1990 | See Source »

...Ford happily accepted the challenge. With Pakula, he spent a week at the Wayne County (Detroit) prosecutor's office observing a murder case. He quizzed lawyers at lunch and took files back to his hotel at night. At one conference a question arose -- about the relative heights of shooter and victim -- that stumped the real lawyers. "Harrison was the only one who knew the answer," recalls chief assistant prosecutor George Ward, "because he had studied the pictures of the two persons. He really did his homework...

Author: /time Magazine | Title: Books: All Rise! Action! | 6/11/1990 | See Source »

...There is a tension between teaching and research, but to resolve it by saying, 'focus only on teaching' is not a solution," according to David A. Riesman '31, Ford Foundation professor of social sciences emeritus, "because then faculty members members only get older, and not wiser...

Author: By Tara A. Nayak, | Title: Forging A Vision For Harvard | 6/7/1990 | See Source »

...Harvard's Joseph S. Nye, Ford Foundation professor of international security agrees that Kohl has acted wisely. "I think he's handled it all very well," he says...

Author: By Jonathan S. Cohn, | Title: Four Decades After Marshall Plan, Kohl Promises Symbolism, Irony | 6/7/1990 | See Source »

Actually the reverse is likely. Corporate arts underwriting oscillates with the laws on tax deductions, and the NEA controversy could reduce it. In any case, corporations prefer "safe" institutional culture: Ford puts Jasper Johns in the National Gallery, Mobil puts Masterpiece Theatre...

Author: /time Magazine | Title: Whose Art Is It, Anyway? | 6/4/1990 | See Source »

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