Word: fording
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...Summers, schooled in country, would not feel at ease singing the jazz-inflected pop he wanted to play. But he finally decided that his domestic partner could be his professional one. For a two-star act, she needed a name nearly as short and simple as his; thus Mary Ford. They hit immediately: five Top 10 hits ("Tennessee Waltz," "Mockin' Bird Hill," "How High the Moon," "The World Is Waiting for the Sunrise" and "Whispering") in nine months. From August 1952 to March '53, they scored five more Top 10 hits ("My Baby's Coming Home," "Lady of Spain...
...High the Moon For all the attention paid to Les Paul the technical innovator, not enough was paid to his skill as an arranger of guitar solos and vocal parts. Similarly, Ford didn't get her due as a singer. She looked the way she sang: smooth, clear, pretty. Her voice, tripled or sextupled in harmony, was the vocal version of his slide-guitar style. Her glissandi were intimate, as if she had been singing inside the microphone. (She was, in fact, the first vocal artist to sing not a foot or so away from the microphone, as most studio...
...Uncharacteristically naked (her voice alone, not double- or triple-tracked) for a few syllables, Ford reprises the first chorus, giving each word double value, again asserting the lyric's wistfulness before revving for the finale. Her voice ascends - "How! High! The! Moon!" - and Les' guitar descends, ending as he began, with the rock riff and adding a puckish triple grace note. He and Ford get in and out of this 21-track mini-masterpiece in a breathless two minutes and four seconds...
...Then Ford takes over with her menthol-smooth voice, multiplied into three-part harmony by Paul's studio gizmonics. She coos, "Somewhere there's mu-u-u-sic," coaxing four syllables out of the word by gliding over them rather than hiccuping through them. She wants the listener to know this is an up-tempo love song, not a stuttering novelty. In the bridge - "There is no moon above, and love is far away too" - she lightly swings "above" and "and love," almost gulping each first syllable. You expect her to do the same with "is far," but she smartly...
...softening also leads smartly into Paul's solo. He feeds out of Ford's vocal with a wah-guitar wail that seems to hunch the shoulders of a note, then relax into some fleet picking in Paul's trademark bubbly style as if he's somehow playing underwater and the notes have quickly risen to the surface to pop in the clear air. That's the first chorus. The second features a lot of the power chords that later rock guitarists would borrow. It climaxes in an ascending "aaaah" from the Ford voices that transports us into the third instrumental...