Search Details

Word: fords (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...lacocca, D.ENG., executive vice president, Ford Motor Co. With millions of mustangs behind you and millions of mavericks before you, you are providing America with its wheels...

Author: /time Magazine | Title: Kudos: Round 3 | 6/20/1969 | See Source »

GERALD R. FORD, M.C. Fifth District, Mich. House of Representatives Washington...

Author: /time Magazine | Title: Letters: Jun. 20, 1969 | 6/20/1969 | See Source »

...phrase referred to the conflict of self-concern and social conscience, said the boy, whose name was Peter Pfeiffer. "I make movies; I rather enjoy the peaceful joy of framing the world in 16-mm. segments. I drive from place to place in my old Ford station wagon and attempt to capture the movements of people. This is the Coca-Cola of my life. But as I work I can feel large round eyes watching my every move. Hungry children have large round eyes, and there are lots of hungry children. One person dies every eight seconds from malnutrition...

Author: /time Magazine | Title: Education: Commencement, 1969: Pomp and Protest | 6/20/1969 | See Source »

...When the legend becomes fact," says the canny newspaper editor in John Ford's The Man Who Shot Liberty Valance, "print the legend." Sam Peckinpah is a film maker dedicated to telling truths and still preserving the legend of the American West. In feature films (Ride the High Country, Major Dundee) and television shows (The Westerner), his characters are eminently fallible, their deeds frequently inglorious. They are legends both because and in spite of themselves. The Wild Bunch is Peckinpah's most complex inquiry into the metamorphosis of man into myth. Not incidentally, it is also a raucous...

Author: /time Magazine | Title: New Movies: Man and Myth | 6/20/1969 | See Source »

...director like John Ford, if he thought this tedious two-hour tale worth the telling, could have done it in a tight ninety minutes. Leone spends most of his time focusing on the actors' eyes squinting tensely into the camera lens. The intent is operatic, but the effect is soporific. Stuck in this gluepot horse opera, such veteran range hands as Henry Fonda, Claudia Cardinale and Keenan Wynn struggle helplessly and often hysterically. But the picture, such as it is, belongs to Charles Bronson. A flinty character actor who has appeared in everything from The Great Escape...

Author: /time Magazine | Title: Cinema: Tedium in the Tumbleweed | 6/13/1969 | See Source »

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