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...other Latin American governments. As usual there was a recital of U.S. sins -but this time the Cuban note was marked by what sounded like genuine alarm. The U.S., charged Roa, is giving all-out support to a new drive by anti-Castro Cubans to throw Castro out be fore the conference of American foreign ministers in Quito May 24. If that fails, Roa said, U.S. -supported anti-Castro forces would invade Cuba with the intention of setting up in a liberated section of the country a provisional government that could be recognized by the U.S. and given open support...
Perhaps, had there never been a King and I. a South Pacific-no. that won't help. Well, perhaps had there never be fore been any exotic musicals at all. 13 Daughters would have emerged a real curiosity instead of a curio, the libretto could have been forgiven its dullness, and what is lilting in the music would have blotted out what is banal. But on a Broad way that has offered exotic musicals and to spare, even what is reasonably good in 13 Daughters-such as a few of Rod Alexander's dances-still seems reminiscent...
Twin tail cones swept back from the wings to form a goal-post-shaped rudder assembly. Even more unusual were its twin engines, hung fore and aft on its gracefully streamlined cabin pod. one pulling, one pushing. The plane was the Skymaster, Cessna Aircraft Co.'s newest entry in the race for the flying businessman's dollar. For Cessna, world's biggest private-planemaker, the Skymaster is a bold new venture aimed at procuring an even bigger slice than the 47% of the private-plane market the company...
...budget report, Curry also fore-saw a large increase in the city's share of the MTA deficit, although the cherry sheet will determine the final figure. Last year the city paid about $1,700,000 to the Authority, whose tax-exempt lands Curry termed "among the most extensive and most valuable in Cambridge...
...glockenspiel. For all its fearsome instrumentation, the concerto proved to be one of Cowell's more immediately appealing works - alternately delicate and boisterous, crosshatched with curiously shifting rhythms. Less stark than the works of Cowell's youth (when he liked to roll the piano keys with his fore arms to achieve "tone clusters"), the concerto was also less melodic than the works of what Cowell thinks of as his middle period. "No composer worth his salt these days would be without a third period," says Composer Cowell. "This is mine...