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...shows: plot coherence is not one of Chappaqua's strengths. Nevertheless, he lured Veteran French Actor Jean-Louis Barrault into playing a key role as the sanatorium's head doctor, and persuaded Sitarist Ravi Shankar to write a vibrant background score that often deservedly moves into the foreground. The film is otherwise peopled by a random collection of the current cool, including Novelist William Burroughs, Poet Allen Ginsberg and Jazzman Ornette Coleman in bit parts...

Author: /time Magazine | Title: Cinema: The Self as Hero | 11/17/1967 | See Source »

...rock-'n'-roll quintet, its sounds brutally amplified, screeches and howls. The dancers enact their love ritual, while a filmed psychedelic view of their actions is projected-elongated, distorted and weirdly colored-on the wavering backdrop. "This is what we're doing," the action in the foreground seems to say. "And this is what we feel we're doing," proclaims the film. At the end, passions spent, the man walks through the billowing drop and out a series of backstage doors; Astarte recedes into the shadows, awaiting her next visitor. In his new Astarte, Choreographer-Director...

Author: /time Magazine | Title: Ballet: Ritual in Rock | 10/6/1967 | See Source »

...dark suits, faces like sassy choirboys. The other four Beatles are very much alive: thin, hippie-looking, mustachioed, bedecked in bright, bizarre uniforms. Though their expressions seem subdued, their eyes glint with a new awareness tinged with a little of the old mischief. As for the grave in the foreground: it has THE BEATLES spelled out in flowers trimmed with marijuana plants...

Author: /time Magazine | Title: Pop Music: The Messengers | 9/22/1967 | See Source »

...pictures at times achieve the character of abstract paintings. The enlarged wood-grains of "Detail of Old Wooden Cross' are the strokes of the painter's brush. The suppression of the background of "Rain Forest Kileuea" into middle grays sets off the few black tree trunks in the foreground and gives the jungle a surrealistic quality reminiscent of the paintings of Rousseau...

Author: By Margaret A. Byer, | Title: Ansel Adams | 8/8/1967 | See Source »

...evening are produced by that mixture of set designers, lighting men and hangers-on billed as the "Brattle Street Trust." The scenery, which is a blend of lighting and well-chosen props, makes a fascinating, fluid background to the strange play that jerks enigimatically along in the foreground...

Author: By Timothy Crouse, | Title: Measure For Measure | 8/4/1967 | See Source »

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