Word: foregrounds
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Dates: during 1930-1939
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Running hot in the foreground, as would be expected, were the Hearst newshounds. To the Hearst Press the House of Morgan is the "Plunderbund," the quintessence of all that Hearst has taught "People Who Think" to regard as wicked. Not only regular newshawks but Hearst financial editors and feature writers like Damon Runyon and Ed Hill (see p. 40) were sent to Washington. The New York Journal shrieked: REVEAL MORGAN RULES INDUSTRY. In a page-wide strip of Morgan pictures in the Journal the banker's mustache was obviously painted out to give him a long, flaccid upper...
...lighter touches. When the Widow Quinn bargains with lily-livered Shawn to get the playboy out of the way, when the drunken Flaherty endeavors to maintain a fatherly dignity, when the playboy discovers his good looks, when "Pegeen" upbraids him as a pretender, then does Synge bring to the foreground his intimacy with the Irish humors...
...limestone, black for coal, yellow for sand, red for iron ore. Critics rated the frescoes first-class, noted an increasing hardness and sharpness in Rivera's detail. Nearly overlooked was a little panel high on one wall, showing a child being vaccinated in a serum laboratory. In the foreground were serum-giving animals, a horse, a bull and sheep, traditional beasts of Holy Nativity pictures...
...will shoot a sitting bird by reading Van Loon's Geography for mistakes; but even a fellow-amateur may hit on some. The graphic sketches and three-dimensional maps are often effective, enlightening, sometimes merely unscientific and cheap, for example a drawing of Fujiyama with a tree in the foreground captioned "The Old Japan"; the same drawing with a cannon substituted for the tree, captioned "The New Japan." Author Van Loon's bright chapter headings catch the eye, may engage many a reader: "Bulgaria, the soundest of all Balkan countries, whose butterfly-collecting King bet on the wrong horse during...
...kept his stage part of "dear old Charlie" Marsden, the epicene friend. May Robson as Sam's mother booms compellingly. The modernistic set of Nina's Park Avenue home is excellent. Noteworthy are frequent transparency shots which require a previously photographed background to be fitted to the foreground by the use mainly of a plate-glass screen blasted with flour...