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Word: foregrounds (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...Matisse "Odalisque" uses the floral designs on Odalisque's jewelry and scarf and the designs on the wallpaper behind her to blend the foreground with the background. Picasso, in his "Femme au Fauteuil" also blurs these lines and presents a surface-tense, vibrant and mesmerizing painting that alone is worth the trip to Newbury Street...

Author: By Aparajita Ramakrishnan, | Title: Exhibit of Modern Art Surveys the 20th Century's Aesthetic Innovators | 4/2/1992 | See Source »

...medical inspection; the other five sitting in postures of frozen relaxation on the big plum-colored sofas. Madame presides in her lilac dress, like a weary priestess at a rite. The self-conscious geometry of the poses, dominated by the black angular legs of the girl in the foreground, reinforces the plush silence...

Author: /time Magazine | Title: Art: Cutting Through The Myth | 3/9/1992 | See Source »

...similarly evenhanded--his is a perspective where the camera more often records than interacts with the world. But, other works in this show, like "Long Beach Cemetery" (circa 1940), engages the viewer with its ironic subject matter. The scene contrasts a classicalstyle sculpture from a cemetery in the foreground with various industrial eyesores in a background of grass and trees. It is a very strange and compelling image...

Author: By John M.biers, | Title: Trying to Be Cultured? Visit the Museum of Fine Arts | 10/24/1991 | See Source »

...absorb and reward all the contemplation the eye can give them. The port, under its light-suffused spell, its unpeopled high-summer sleep, becomes a subject of reverie but not a fantasy, anchored in the real by such declarative touches as the iron bollard placed dead center in the foreground, yet located in the ideal as well by Seurat's profound attentiveness...

Author: /time Magazine | Title: Art: Against The Cult of the Moment | 9/23/1991 | See Source »

...that: the Spanish conquistadors are presented as brutes, one flinging a baby from the temple top, another tearing loot from a corpse; and Leutze's intent to provoke pity for the Aztecs is summed up in an upside-down torch, nearly out, which lies on the steps in the foreground, an adaptation of the classic funerary image of the reversed torch of extinguished genius. Even mediocre artists like Leutze, it seems, can sometimes be a little more complex than their interpreters might wish...

Author: /time Magazine | Title: Art: How The West Was Spun | 5/13/1991 | See Source »

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