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Word: foregrounds (lookup in dictionary) (lookup stats)
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...term f/64 designates the smallest lens opening on cameras then used, the one that gave the greatest depth of focus and hence produced images that were sharp from foreground to background. To these photographers, f/64 also stood for "straight" photography, as against pictorialist fuzz. Instead of continuous tone, they went for high contrast. They also cropped and isolated their subjects: driftwood, seashells, worn rocks at Point Lobos, or the polished interior of Weston's Mexican toilet bowl...

Author: /time Magazine | Title: Master of the Yosemite | 9/3/1979 | See Source »

Badham obviously knows that horror movies are only fun when they run the risk of being silly. So his camera tracks all over the place, with insects and spider webs and skeletons in the foreground, and massive, Gothic, bat-like sets or magical, panoramic English cliffs and countrysides in the background. The bulk of the action occurs inbetween, and Badham reaches it by cutting rapidly or tracking or literally walking up to it, camera jiggling subjectively. Very little happens outside the frame, so we rarely worry about what we can't see, only about how vivid and nauseating what...

Author: By David B. Edelstein, | Title: Staking the Wild Vampire | 7/31/1979 | See Source »

...With a combination of fascination and dismay, they read his shifting pronouncements on energy, human rights and monetary policy. They were disturbed by his folksy style, his reliance on a rather young and unworldly circle of advisers from back home, and his insistence on pushing his family to the foreground. Rosalynn's role in White House decision making was unsettling, and Amy's tagging along on state visits seemed inappropriate...

Author: /time Magazine | Title: Nation: Slumping to a New Low Abroad | 7/30/1979 | See Source »

...created scores of dynamic long takes penetrating the New York City streets from different angles. Accompanying the characters, their camera embraces a characteristic part of the environment while maintaining a compositional coherence of the moving image. The background in these takes persistently changes in design and perspective while the foreground is periodically "disturbed" by the turbulence of passing vehicles or silhouetted pedestrians. While the exterior long trackings are executed in medium shots with a pronounced depth of field(except in one specific case), New York streets are clearly visible and constantly changing as the characters walk across the avenues...

Author: By Vlada Petric, | Title: A Renaissance Of American Film Comedy | 6/25/1979 | See Source »

...early morning. The ensuing conversation between Allen and his girlfriend Tracy (Mariel Hemingway) takes place in the bar (Elaine's), composed of a dozen brightly lit medium and close-up shots. then the first long tracking take occurs along the street with Allen and his girlfriend in the foreground; in contrast, this is succeeded by an interior sequence with Keaton and Murphy in their apartment, with several medium shots executed by a panning camera. Again there is a long tracking take with Allen and Hemingway walking through the streets, and turning corners, on a sunny day. An abrupt...

Author: By Vlada Petric, | Title: A Renaissance Of American Film Comedy | 6/25/1979 | See Source »

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