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Rain and bombs pelted the island of Hong Kong, from whose peak this picture was taken. Hong Kong (lower foreground) and Kowloon (across the water) are the ragged end of the thin red line of Empire. From their Victorian mansions on the hillside, Britons looked out, as their predecessors had for 100 years, on the red and grey hills in the distance beyond which lies China, and on the masts of the myriad ships that make Hong Kong the sixth greatest port on earth...

Author: /time Magazine | Title: World Battlefronts: No Surrender | 12/22/1941 | See Source »

...Marines had the inside track with the fair sex, but in the theme song of "Navy Blues" the much-ballyhooed Navy Blues Sextette maintains that that sailors have the edge. Sailors, it seems, are divided into officers, and gobs. The officers, who are, of course, gentlemen, appear in the foreground only as the source of unpleasant but necessary orders, and in the background only to the accompaniment of soft music and lovely ladies, observing tolerantly the antics of the gobs. In fact, that whole picture calls up nothing so vividly as the recruiting poster outside the local postoffice...

Author: By A. Y., | Title: THE MOVIEGOER | 11/3/1941 | See Source »

...scene opened like a scene in Shakespeare. In the foreground were the citizens, restless and murmuring. They clustered against the marble walls, around the useless columns of the Senate caucus chamber. The huge room, musty, ill-lighted, full of rococo carvings and decorations, looked like a stage set for a Shakespearean stock company. As you went in, you could see only the citizens, crowding together, trying to see over the heads of the people in front, wisecracking about what was happening. There were 1,200 of them in a room built to hold 500. The blur of their comments rose...

Author: /time Magazine | Title: REPUBLICANS: The Undefeated | 2/24/1941 | See Source »

...mating season in Tanganika. And few actors in Hollywood have sheer primitivism down to such a fine art as Wallace Beery. Another distinguishing feature of the picture is the magnificent landscapes; in fact, the upper part of the screen is far wilder and woolier than the action in the foreground...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 11/19/1940 | See Source »

Olson brings out the design and freshens up the colors of this faded legend by putting it under the spotlight of today; turns it into a surrealistic cyclorama of human fate. In the foreground the seven deadly sins of Sloth, Gluttony, Envy, Lust, Avarice, Pride, Anger move like insatiable' ghouls through the golden haze of eternity. The background is left for the individual cyclorama-goer to fill...

Author: /time Magazine | Title: Books: Poetry | 11/18/1940 | See Source »

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