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Rooney is not another pretty face. He is 5 ft. 9 in. tall, "a little fat" (210 lbs., 25 over his playing weight as a football guard at Colgate), and his forelock goes where it pleases. "I have an unpleasant voice," he notes, "a raspy voice." Says Hewitt: "Andy is kind of like Peck's Bad Boy. You expect to find him walking home from school kicking...

Author: /time Magazine | Title: Press: Rooney Tunes | 7/21/1980 | See Source »

...aides who wanted him to declare his candidacy. "I don't think that is the thing to do," he started to say, but before the last words were out, something clicked and he realized it was the thing to do. This fellow with John Kennedy's forelock and Barry Goldwater's jaw changed his life and, who knows, maybe those of many other people, with just one word. "OK," he said...

Author: /time Magazine | Title: THE PRESIDENCY by HUGH SIDEY: Jack Armstrong Announces | 8/7/1978 | See Source »

...Moynihan-with his long forelock that seems forever (and designedly) askew, his cherubic face, well-upholstered 6 ft. 4 in. frame and congenital inability to resist controversy-he can be counted upon to enliven the Senate with rhetorical flourishes worthy of such famous orators as Daniel Webster or even Everett Dirksen...

Author: /time Magazine | Title: From an Irish Pat to a Dixy Lee | 11/15/1976 | See Source »

With a Kennedyesque head of hair complete with untamed forelock, Sasser, 40, parlayed an infectious grin, native acumen and political apprenticeship with Democrats Estes Kefauver and Albert Gore into an upset primary victory. Now he stalks voters relentlessly, grasping hands, patting farmers' backs and children's heads, spouting a Carter-like populism and depicting the beleaguered Brock as a patrician far removed from the concerns of ordinary people...

Author: /time Magazine | Title: Tennessee: Brock v. Sasser | 10/18/1976 | See Source »

...course, there are things one does not learn from the show. The part titled "The British Connection" is merely a rehash, laid forth in paintings, of the now outmoded picture of 18th century England as an Age of Elegance, populated by enlightened lords, benevolent squires and happy forelock-tugging peasants. The whole matter of slavery is discreetly omitted from Jefferson's American experience, although neither his wealth nor the leisure he needed for self-cultivation would have been possible without his slaves. (If the National Gallery wanted to be consistent in its policy of using great borrowed paintings...

Author: /time Magazine | Title: Art: Jefferson: Taste of The Founder | 7/12/1976 | See Source »

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