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...enterprise of high risk. In addition to normal hazards, it must compete with the playgoer's memories of past productions or expectations aroused in the classroom or the library. In an era of relative creative dearth like the present, a spate of revivals comes to the fore as the theater's defensive mechanism of survival. Some are delightful, some are dreadful, all are instructive; it is invariably interesting to see what the effects of time, changing values or an altered milieu have had on a classic. Some current revivals on the New York boards...

Author: /time Magazine | Title: The Theater: Classics Revisited | 1/29/1973 | See Source »

...Osborne has gone McLuhan and made the theater his message. Plot, structure, story-even that Osborne speciality, the long brilliant speech-all gone. Instead, we have half a dozen players on a sparse stage, and a "chairman," who opens the proceedings with a discussion of the printed program. Be fore long, the characters are asking each other, and the audience, what the hell they're doing there. A beer-swilling football fan issues periodic razzberries from the balcony, while from a front-row seat in the stalls an exasperated Establishment chap complains loudly about the dearth of any sense...

Author: /time Magazine | Title: Theater: The Audience as Victim | 12/25/1972 | See Source »

...real key to Harvard's strength, however, is not the first line, but the Crimson's offensive depth. Second line sophomores Randy Roth and Jim Thomas may get knocked around a little this year, but as skaters, stick-handlers and fore checkers, they make the second line a very potent unit, probably even better than Tommy Paul's line last year...

Author: By Evan W. Thomas, | Title: On the Bench | 12/9/1972 | See Source »

...grandson. "What will you be when you grow up, and where will I be than?" she questions the oblivion 1st, with a wistful but optimistic view of the future. Her strongest link with the future, although the successfully hiden it from both children and husband alike, in a sure fore knowledge of her own approaching death. This is to be her first and last visit to Tokyo. But the never lets her intuition become evident; she cannot lower herself by making her children feel guilty, though they have sinned against their parents by failing to show them the devotion traditionally...

Author: By Celie B. Betsky, | Title: The Coming of Age in Tokyo | 11/3/1972 | See Source »

...grandson. "What will you be when you grow up, and where will I be then?" she questions the oblivious tot, with a wistful but optimistic view of the future. Her strongest link with the future, although she successfully hides it from both children and husband alike, is a sure fore-knowledge of her own approaching death. This is to be her first and last visit to Tokyo. But she never lets her intuition become evident; she cannot lower herself by making her children feel guilty, though they have sinned against their parents by failing to show them the devotion traditionally...

Author: By Celia B. Betsky, | Title: The Coming of Age in Tokyo | 7/28/1972 | See Source »

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