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Word: forested (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Forest. With this inventor's audion radio tube, the babble of formerly isolated voices, for good or evil . . . has been propelled to the farthest corners of the earth...

Author: /time Magazine | Title: Letters, Dec. 26, 1949 | 12/26/1949 | See Source »

...strangest thing was Marchand's color. The paintings in his previous exhibition (TIME, May 26, 1947) had reflected the cool hues of the Burgundy forest. Lately Marchand, like Van Gogh before him, had made a pilgrimage to Arles and developed a new palette there. Reds, phosphorescent greens and blues, and jet black were his standbys now. Some of his pictures looked like the negatives of color photos, with red skies, blue suns, green sand and black and green nudes. "Color doesn't interest me," he said flatly. "I am trying to extract light from all objects...

Author: /time Magazine | Title: Art: Over the Wall | 12/26/1949 | See Source »

...perfect medium for her ability, she had it Monday night in Shakespeare's "As You Like It." The play is full of witty yet wise side remarks that need her kittenish sophistication; she, in turn, is at her best in the vaporous atmosphere, the half-fantasy world of Arden Forest. The combination--Shakespeare and Hepburn--is nearly unbeatable for producing an evening's enjoyment...

Author: By Edward C. Haley, | Title: THE PLAYGOER | 12/14/1949 | See Source »

Throughout the show it's always hard to remember there's anyone onstage except the leading lady. She charms you in the pink hoop skirts and ruffled lace of the lady in court; she practically seduces you in the bodkin and tights of the forester; and, then, in the chaste white of her wedding gowns, she melts you. Elizabeth Bergner, in the movie, was flighty enough for the forest scenes; but Hepburn was even more light-footed and still human too. Bergner was a haughty Rosalind; Hepburn just seemed to be in love...

Author: By Edward C. Haley, | Title: THE PLAYGOER | 12/14/1949 | See Source »

Behind Hepburn, of course, there was an excellent show. James Bailey's scenery put both the playwright and the actress in their proper context; the depth of the forest sets managed to keep the plots separate and yet synchronized. Bill Owen was a magnificent Touchstone and Ernest Thesiger was equally good as Jaques, the banished duke's attendant. Thesiger delivered the "All the world's a stage" lines with a forcefulness that, for a moment, eclipsed even Hepburn. William Prince as Orlando seemed somewhat less polished than the rest of the cast. The opening dialogue of the play, between...

Author: By Edward C. Haley, | Title: THE PLAYGOER | 12/14/1949 | See Source »

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