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Word: forested (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...TIME says "we need well-planned recreational development," as if this applied to Disney Corporation's plans for Mineral King [Feb. 7]. You would ignore the thousands who pilgrimage annually up the winding forest road to find deep enjoyment and escape from urban pressures in simple camping, hiking and horseback riding away from the asphalt wastelands of Southern California. You would "improve" this Shangri-la by callously jamming 81/2 miles of superhighway through a wild section of Sequoia National Park, set aside for posterity in 1890, Then you would transform the tiny mountain valley into a parking...

Author: /time Magazine | Title: Letters: Feb. 21, 1969 | 2/21/1969 | See Source »

...exhibition gallery is still higher, almost hidden. Two low-ceilinged spaces, lit even to the corners, surround the Boston Now exhibition by young Boston artists. Few of the thirty pieces of painting and sculpture are even three old. Hyman Bloom's mysterious, Dorerlike forest in Charcoal, done by the dean of Boston artists in 1963, is remote and antique...

Author: By Richard E. Hyland, | Title: Boston Now | 2/18/1969 | See Source »

...scenic intermediaries either to leave one with vaporous visual suggestions, which cause bewilderment, or with disfiguring interpretations, which cause exasperation. The main problem with the Conservatory production was its reliance on an unimaginatively employed diorama yielding only the sun and moon on occasion, and totally failing to conjure the forest or grotto scenes. The lighting too often cast a mustard pall on the actors, with the exceptions of Act IV scene i and Act V throughout. The direction failed to take to heart Debussy's insistence that an improper gesture would mar a scene; the actors' gestures were perilously close...

Author: By Chris Rochester, | Title: Pelleas et Melisande | 2/8/1969 | See Source »

Hall deliberately avoids the storybook approach to A Midsummer Night's Dream that some directors have adopted. This is no ethereal child's fantasy "with fairies in little white tutus skipping through gossamer forests," as Hall puts it. He sees the play, rather, as a poignant tale of "the universal experience of falling in love on Monday, out of love on Tuesday, in love again on Wednesday, and discovering on Thursday that your best friend loves the same girl." David Warner, remembered from Morgan (see CINEMA color), and Diana Rigg, onetime heroine of ABC's The Avengers...

Author: /time Magazine | Title: Specials: Prime Time for the Bard | 2/7/1969 | See Source »

Full House. To bring out the play's down-to-earthness, Hall filmed it not in a studio but in a tangled English wood located only twelve miles from Stratford-on-Avon. Though it rained continuously, Hall and his shivering actors tramped for six weeks through the forest with hand-held cameras-"they give a sense of breathing," says Hall-trying to capture what he calls "that wet, steaming, glistening quality that only an English summer can have...

Author: /time Magazine | Title: Specials: Prime Time for the Bard | 2/7/1969 | See Source »

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