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Days and Nights in the Forest, 6 p.m., 9:40; La Collectionneuse, 8:05, weekends...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 5/2/1974 | See Source »

...time Ray explored misery, poverty, and rural survival in a colonial province, or the tenacity of religious superstition in a new nation, but now he focuses more sharply than before on an urban elite caught between the Western forces of the city and the essentially tribal India of the forest...

Author: By Richard Shepro, | Title: Bourgeois Bengalis | 5/1/1974 | See Source »

Days and Nights in the Forest, shown at the New York Film Festival almost four years ago, but in only its second Boston appearance now, portrays four men from Calcutta on an excursion into the forests of Palamau. Ray judged that he could best deal with the urban mind by removing it from the complexity of the urban milieu. The men burn a newspaper to show their detachment from city life, but their modern morals have penetrated too deeply to be dismissed by such a ritual. The forest, reduced to a dizzying madness in Ray's shots from...

Author: By Richard Shepro, | Title: Bourgeois Bengalis | 5/1/1974 | See Source »

THOUGH CENTERED around the four well-to-do Bengalis, Days and Nights in the Forest does not lose sight of the mass of the Indian people. The four men are the Indian equivalents of American suburbanites, but in India there is no suburban isolation. Cross-caste encounters occur everywhere, and these make the film far more telling than the many documentaries that have simplistically contrasted starving millions with polo-playing aristocrats. Each encounter reveals the men to be torn between the Indian society still found among the poor and the increasingly pervasive Western society. The men in the film have...

Author: By Richard Shepro, | Title: Bourgeois Bengalis | 5/1/1974 | See Source »

Cultural differences reinforce the class separation between the city and the tribal people, so much so that the men show a greater interest in a group of aristocrats they meet than they do in the forest and its people whom they came to see. But only the characters emphasize the well-to-do; Ray's film is concerned with the plight of all Indians. And while the film opens with the four men riding in their car, it closes, when they leave, not on them but on the caretaker whose job and security their irresponsible behavior has left in jeopardy...

Author: By Richard Shepro, | Title: Bourgeois Bengalis | 5/1/1974 | See Source »

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