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...Duke spent three years on the memoirs. As he acknowledges in his foreword, Charlie Murphy was his collaborator most of the time, prodding, suggesting, editing and cajoling, in Paris and at Cap d'Antibes. To help refresh Windsor's memory, Murphy supplied him with digests of diaries, court calendars, newspaper clippings, books and interviews with other actors in the royal drama. (The Duke himself had saved a bale of state and unofficial papers and albums of his own photographs of the historic days.) Then, while a secretary recorded every word, the Duke reminisced...

Author: /time Magazine | Title: The Press: Edward & Wallis | 5/22/1950 | See Source »

...foreword to "The Lady," Mr. Fry says that his poetic form is really "no one's business but my own, and every man is free to think of the writing as verse, or sliced prose, or as a bastard offspring of the two. It is, in the long run, speech, written down in this way because I find it convenient, and those who speak it may also occasionally find it helpful." Mry Fry's glittering poetry is fun to listen to. Ignore the meaning, and watch it soar and spin about the page or stage, like a toy airplane would...

Author: NO WRITER ATTRIBUTED | Title: Eliot and Fry: Modern Verse Drama | 3/21/1950 | See Source »

...Fritz Bultman, 30, confined himself largely to black, white and grey arrangements of what looked like moldy bones. According to the catalogue foreword, his pictures were not really abstract: "Rather they are religious, or moral, bereft of realistic pictorial detail for the same reason philosophy is shorn of particular verbal description of the life whose meaning it explores...

Author: /time Magazine | Title: Art: Space Impelled | 2/20/1950 | See Source »

...long established world leader, French art, is now meeting face to face with its postwar challenger, the art of America." So said the catalogue foreword to an exhibition of 50 French and 50 American paintings that opened in a Manhattan gallery last week. Culled from some 10,000 entries, the pictures on display were all related in one way or another to Christmas; they had been painted for a $28,000 contest sponsored by the U.S. manufacturer of "Hallmark" cards (TIME, July 4), and many of them would show up on Christmas-card counters eventually...

Author: /time Magazine | Title: Art: Merry Christmas | 12/19/1949 | See Source »

These words were written by Hamilton Fish '10 on October 21, 1948, in his foreword to "The History of Football at Harvard." Fish, a former captain ('09) of football here, was basking in in the illusion that Arthur Valpey would accomplish miracles overnight...

Author: By Charles W. Bailey, | Title: Egg in Your Beer | 11/29/1949 | See Source »

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