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That level of multiprocessing and interpersonal connectivity is now so commonplace that it's easy to forget how quickly it came about. Fifteen years ago, most home computers weren't even linked to the Internet. In 1990 the majority of adolescents responding to a survey done by Donald Roberts, a professor of communication at Stanford, said the one medium they couldn't live without was a radio/CD player. How quaint. In a 2004 follow-up, the computer won hands down...

Author: /time Magazine | Title: The Multitasking Generation | 3/19/2006 | See Source »

Actually, forget the sign. He will be getting the same message to more people with American Theocracy (Viking; 462 pages). The message is, bad times ahead. Writing in the spirit of Paul Kennedy's 1989 book, The Rise and Fall of the Great Powers, Phillips is a declinist, and a persuasive one. Looking back to the collapse of the Spanish, Dutch and British empires, he has come to warn about a trio of threats to the U.S. that he believes is already taking it down the road to disaster, and not slowly...

Author: /time Magazine | Title: Books: The Unholy Alliance | 3/19/2006 | See Source »

Thinking of trying to “Ask the Dust?” Forget it. Instead, begin the long path toward understanding the rules of “Chinatown...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Classics: Chinatown | 3/16/2006 | See Source »

...music has a simple, appealing exterior that belies the sharp conflict running beneath. “Shall We Sing a Duet?” features a pair of vocalists exchanging proclamations of love—but, as one of the singers reminds us, “one will never forget all the clichés and lies.” Despite the oft-caustic lyrics, these songs are a pleasant listen. For longtime Merritt listeners, they won’t do much that previous Magnetic Fields albums haven’t done already and better (or 6ths albums, or Future...

Author: By Catherine L. Tung, CONTRIBUTING WRITER | Title: Stephin Merritt | 3/15/2006 | See Source »

...happier notes that I've observed over the last decade. The only danger is when the technological tools become the whole point of making the movie, as opposed to a great story with great characters. When we become infatuated with the tools that can do anything and we forget the story, that's when we get in trouble. And in the end the audience calls us on it. I appreciate the fact that we can all get carried away with the special effects because they are fun; they are fun for the filmmakers, they are fun for audiences. This...

Author: /time Magazine | Title: Spielberg at the Revolution | 3/14/2006 | See Source »

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