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FROM THE BLUE underworld of guilty fantasy to the idyllic greens and pinks of Providence, where all is forgiven, through a series of stylized, surreal encounters between characters devoid of will and wracked by literary torment--this is where Alain Resnais guides us. In Providence,authorial control--both Resnais's and that of his novelist-narrator Clive Langham (John Gielgud)--is harnessed to the nightmare vision of the unconscious, whose repressed contents spill over with a force that blights efforts at artistic ordering...

Author: By Julia M. Klein, | Title: Through a Glass, Bluely | 4/20/1977 | See Source »

...technology should be allowed utter freedom, with little or no accounting to those who have to live with the bad results as well as the good. If the layman on the street has discovered that science is fallible, that hardly makes him its permanent enemy. After all, everybody has forgiven Newton for thinking that the sun was populated...

Author: /time Magazine | Title: Time Essay: Science: No Longer a Sacred Cow | 3/7/1977 | See Source »

...other hand, veterans who were fugitives from the law claimed that Carter should have forgiven everyone who got into trouble for resisting the war. They argued, correctly, that the deserters who were still ostracized were mainly working-class members of minority groups, while the pardoned evaders were usually middle-class whites. Carter's action "just applies to university kids who dodged the draft," complained Tom Nagel, an accused deserter who now lives in France...

Author: /time Magazine | Title: The Nation: KEEPING HIS FIRST PROMISE | 1/31/1977 | See Source »

Readers in search of another adult serial may be forgiven if they switch to Mary Hartman, Mary Hartman before finding out what is really on Updike's mind in Marry Me. Through the evident clash between sense and sympathy, Jerry Conant emerges as one of Updike's ambiguous truth carriers. It is by no coincidence, comrades, that being with Sally symbolically cures both his insomnia and his fear of death. All of Jerry's apparent follies-the reversion to calf love, the dramatic moral posturings, the delusive passion-are meant to be regarded as signs of life...

Author: /time Magazine | Title: Books: Uncouples | 11/15/1976 | See Source »

...months pass by, the reporters tire of campaign's sameness, and seek the unusual. They pounce on blunders, magnify the trivial and sometimes distort as much as they clarify. For this they may be understood but not wholly forgiven. This election year has witnessed press criticism of a campaign alternatively termed petty, banal and issueless; the irony is that the objects of criticism were often of the media's own creation...

Author: By Parker C. Folse, | Title: The Long Goodbye | 11/6/1976 | See Source »

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