Search Details

Word: forlorn (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...mordant irony. The revealing detail is his specialty: he recalls "an old monk brush, brush, brushing a pathway clean . . . a sitting Buddha imparting a peace so strong it felt like wisdom . . . Yet one could never forget the world entirely. Floating up from below came the sound, plangent and forlorn, of a garbage collector's truck playing its melancholy song...

Author: /time Magazine | Title: Love Among The Temples | 9/23/1991 | See Source »

...undeniable sense is of a flood of ambitious "race movies" -- showing, just now, more passion than art -- where a year ago there was only a trickle. It is as though American moviegoers had been introduced to a body of films from a previously obscure locale: the teeming, forlorn outpost known as New Black City...

Author: /time Magazine | Title: Boyz Of New Black City | 6/17/1991 | See Source »

Just across 35th Street stands the forlorn hulk of the original 1910 Comiskey Park, with a gaping hole cut through the right-field stands. A mournful opening-day banner reads, SPEEDWAY WRECKING: THE HARDEST 'HITTER' OF ALL TIME. With these ghostly memories still in sight, how hard it is for the nostalgic baseball fan to come to peace with progress. Yet the truth must be acknowledged: the new Comiskey Park represents a hopeful beacon for the future of baseball. It is a talisman that the wonder of the game will survive this era of luxury sky boxes, insanely lucrative television...

Author: /time Magazine | Title: Remaking The Field of Dreams | 4/29/1991 | See Source »

...SHELTERING SKY. Bernardo Bertolucci has made a swank, sexy, bleak and very beautiful film from Paul Bowles' novel of a married couple on an existential quest for romantic catastrophe in North Africa. Debra Winger and John Malkovich powerfully portray the forlorn souls who languish under the desert's pitiless grandeur...

Author: /time Magazine | Title: Critics' Voices: Dec. 10, 1990 | 12/10/1990 | See Source »

Some viewers, who believe movies should be easy and edifying, will say of Kit and Port: Such small people. But nearly all of Bertolucci's films, from Before the Revolution to The Conformist, from 1900 to The Last Emperor, are big canvases holding tiny, forlorn souls. Because of the performers' power, the Moresbys come alive onscreen as they never quite did in the book. Bertolucci looks at Malkovich, the lizardly eminence of Dangerous Liaisons, and thinks of Brando: "They are two monoliths, unchanging, absolutely still -- and, from the first moment, condemned." Winger, for too many years the great unused actress...

Author: /time Magazine | Title: Cinema: Tragedy Is Their Destination | 12/3/1990 | See Source »

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