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...Gross was the first to hold the position in its current form??he began his term as dean of undergraduate education, which focused more on academic than student life issues, but in 2003 his position was merged with the dean of the College position, held at the time by Harry R. Lewis...

Author: By Aditi Balakrishna, CRIMSON STAFF WRITER | Title: Portrait: Evelynn M. Hammonds | 6/4/2008 | See Source »

...curator of the City Art Museum in St. Louis, left half of his estate to the College for the purpose of creating an award to honor undergraduate research work in any field. According to the guidelines of the prize, the work may be submitted by any student in any form??from a research paper to a visual arts project—although traditionally the vast majority of Hoopes prizes have been awarded for senior theses...

Author: By Lauren D. Kiel, CRIMSON STAFF WRITER | Title: Hoopes Sought To Honor Scholars | 6/1/2008 | See Source »

...Franzen face English professor James Wood, who has been one of his toughest critics. Wood, who is also a staff writer for The New Yorker, is noted for his censure of the postmodern social novel, which he termed the “contemporary American novel in its big triumphalist form?? in a 2001 review of Franzen’s novel “The Corrections.” But at the event yesterday, Wood had little but kindness for his longtime target. “A lot of us will remember the moment of its publication because...

Author: By Alison S. Cohn, CRIMSON STAFF WRITER | Title: With Critic, Franzen Criticizes Criticism | 4/29/2008 | See Source »

...over into the A/V world with “Interstella 5555” (a Japanese animation scored by the “Discovery” album) and their latest film, “Electroma.” Their hypervisual, intergalactic performances are, in effect, reversals of the music video form??they make videos that come to life. But “Alive 2007” is all music, no spaceship—and Daft Punk still succeeds. Recorded in their hometown of Paris—which they had avoided for 10 years—the album opens with...

Author: By Elsa S. Kim, CRIMSON STAFF WRITER | Title: Daft Punk | 12/7/2007 | See Source »

...pieces became part of adjacent schools of thought, which changed shape and became different schools of thought, and which were never used again. Suddenly, sentences like, “[Alban Berg’s Three Pieces for Orchestra] are fully symphonic in conception, Schoenbergian in content but Mahlerian in form?? make total sense, as Berg, Schoenberg, and Mahler are all three simply components of Ross’s master architectural scheme, to be manipulated at will.Not surprisingly, to the extent that there is a fundamental narrative, it is the story of high art, low art, and where they...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: From Mahler to Dylan, ‘The Rest’ is Music | 11/9/2007 | See Source »

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