Word: formally
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Dates: during 1960-1969
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...modest crowd did not quite know what to make of this murmured confession. But it was evocative, and impressive. Shortly afterward, the session broke up; parents and students drifted away to attend the formal ceremony of awarding degrees...
Although the Stuttgart Ballet (formal name: the Wlirttemberg State Theater Ballet) is German mainly through accident of residence, its accomplishments have become as strong a source of pride to its city as the Mercedes and Porsche automobile works located there. Like most major German cities, Stuttgart (pop. 650,000) had long maintained an opera house, with a resident but minimal ballet company to help out where needed. In 1960 John Cranko, then a 33-year-old South Africa-born staff choreographer of the Royal Ballet, staged Benjamin Britten's The Prince of the Pagodas in Stuttgart. He was immediately...
...Formal announcement of the decision is expected in November, when Sato visits Washington. Reversion will probably come in 1972. The U.S. is prepared to agree to remove all nuclear weapons and its force of 20 B-52 bombers from the island. In addition, Washington is expected to consent to prior consultation with Japan before launching combat operations against any other Asian nation from Okinawa bases. This agreement, satisfactory to Tokyo, would allow continued U.S. military operations on the island, but under the same restrictions now imposed on the 148 U.S. bases in Japan itself...
...Marx concocted a "total" theory, a consistent set of symbols, to explain the course of history, and he intended his theory to be swallowed whole. The vision derives much of its poetic force from its unity, although few modern men gulp down the whole brew. Outside the Communist countries, formal conversion to Marxism is now rarer than it was a generation ago. Much Marxist influence is indirect and fragmentary. In some minds, fragments of the Marxist vision coexist-illogically-with Christianity or Freudianism. For most, it provides a rationale for criticizing society as it is, rather than a plan...
Some critics of American orchestral life contend that the real trouble is that the symphony has been for too long a plaything of the wealthy. Even though symphony-going is not dominated by the rich to the extent that it was 40 years ago, it is still a formal experience that most turned-on youth regard as static, outmoded and irrelevant. As the conservative, 19th century-oriented programming of most orchestras proves, the institutions are trapped into patterns of pleasing the wealthy patrons who support them-and by and large, the patrons like Beethoven, Brahms and Tchaikovsky. This does...