Word: formally
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Dates: during 1960-1969
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...formal transfer of power to a new President of the U.S. is always a solemn moment. It is also a moment of promise, a time for hopeful pledges rather than penitential litanies. Columbia Historian Henry Graff calls the act of transition "America's stirring rite of political renewal." The mood of Inauguration 1969 is neither the bleak desperation of 1933, when Franklin Roosevelt succeeded Herbert Hoover amid the Great Depression, nor the partisan exhilaration of 1965, after Lyndon Johnson had been elected in his own right. The U.S. is in grave crisis, yet the President-elect has revealed little...
...preferred, but black tie is permitted; in a concession to the times, turtleneck shirts will be permissible for the men and pants suits for the women. Badgered by fashion writers last week, Inaugural Ball Co-Chairman Mark Evans, a broadcasting executive, conceded: "Women will be admitted in their formal drawers...
...streets of Monrovia, the capital, were jammed with parked cars that spilled over into the alleys. Inside the Centennial Ballroom, a babel of people in long white Moslem robes and colored bubus (tribal gowns) mingled with those in formal tie and tails wearing rows of medals. Guided by Tubman and his daughter Coocoo, they marched, then switched to a rumba, a quick step, the Lindy hop, a quadrille. "Faster, faster!" shouted the President, roaring with laughter. For 50 minutes the crowd of nearly 1,000 stomped to John Philip Sousa marches. Leaving most of his guests wilted, the 73-year...
SOMETHING more than James Q. Wilson's interest in bureaucracy lies behind this conclusion. In fact, because of the small number of administrators and the absence of any formal chain of command among them, often one does not know what the other is doing (not to mention that no one knows what the Med School is doing until they read the Boston papers). Last summer, for example, the Real Estate Office contracted to sell two houses to a local real estate agent, even though another office had proposed--albeit some time previously--to sell the houses to a neighborhood association...
...staggering, and testifies to Chabrol's greatness: The Champagne Murders uses the zoom lens, violently colored images and elaborate decor; Les Biches has only one zoom (the final shot), employs only cool colors (mostly blue-greens; Chabrol says that most color films "hurt my eyes") and is more conventionally formal. Both films, however, are unmistakably Chabrolian, and mark the increasing maturity of France's most important young director...