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...most part, the evening belonged to Amadeus, the fictionalized account of the last years of Wolfgang Amadeus Mozart. It won eight awards in all, including those for Best Picture, Best Director (Milos Forman), Best Actor (F. Murray Abraham for his role as Salieri, Mozart's nemesis) and Best Screenplay Adaptation (to Peter Shaffer, who rewrote his hit play). Tom Hulce, 31, also received a Best Actor nomination for his all-American, Huckleberry Finn interpretation of Mozart. Though he was not honored, Jeffrey Jones, 38, deserves a crown of his own for his portrayal of the blandly arrogant Emperor Joseph...

Author: /time Magazine | Title: Show Business: Eight Cheers for the Music Man | 4/8/1985 | See Source »

...eight Oscars were not a record; 1959's Ben-Hur set the mark with eleven little gold-plated statues. But it was a triumphant rebound for Forman, 53, the Czechoslovak director whose five awards in 1976 for One Flew Over the Cuckoo's Nest were followed by two commercial disappointments, Hair and Ragtime. "The Academy members are fans of people like Milos who take chances and succeed," says Director Ivan Passer, one of Forman's best friends. "They like Cinderella stories, and they like to make them come true. That was in their power this year, and they...

Author: /time Magazine | Title: Show Business: Eight Cheers for the Music Man | 4/8/1985 | See Source »

...what was all encompassing on the page would have been all confusing on the screen. To the rescue came two other former soldiers from the raj, Scriptwriter Ken Taylor and Sir Denis Forman, the chairman of Granada and the project's prime mover. Their no-nonsense solution was to chop up yard-length segments of wallpaper, pin them on the walls of a large room and sort out a chronological story line by writing an outline of events on each square. In the process, they preserved nearly all the equivocal situations and ragged-edged characters that are often more...

Author: /time Magazine | Title: Show Business: A Grand Elegy to the Raj | 12/24/1984 | See Source »

...dense story once more as the screenwriter for a film adaptation of the award winning play. And that film, which opened this week, is no less indicate provacative than the play--and perhaps even the musicians who inspired it. To the richly layered stage production, Shaffer--and director Milos Forman--have added yet another coating of deceit, jealousy and adoration...

Author: By Holly A. Idelson, | Title: God's Music From an Obscene Child | 9/22/1984 | See Source »

...Salieri's frustrated quest for immortality. If audiences did not gain any greater impression of his gain any greater impression of his musical talents, Salieri at least became unforgettable in the depth of his jealous passion. But translated to the screen, Amadeus becomes Mozart's own. Shaffer and Forman preserve the intensity of the Salieri-Mozart rivalry, but the film is permeated with the pulse and rhythm of the headstrong child who could compose "as if taking dictation...

Author: By Holly A. Idelson, | Title: God's Music From an Obscene Child | 9/22/1984 | See Source »

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