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Proving that the Depression era at The Crimson was not marked by an economy of words, story lengths began to grow in the thirties. By the late 1950's, a modern format had been established that would stay essentially the same for forty years...

Author: By Stephanie K. Clifford, CONTRIBUTING WRITER | Title: Changing Times: | 1/24/1998 | See Source »

Modeled after the design of The New York Times, the new format featured lengthier articles and more high-quality photos, says Joshua J. Schanker '98, president of The Crimson...

Author: By Stephanie K. Clifford, CONTRIBUTING WRITER | Title: Changing Times: | 1/24/1998 | See Source »

...standards, which Lewis stresses are meant to be a mimimum and not an ideal, are separated into two categories: five address the content of advising conversations and seven the format...

Author: By The CRIMSON Staff, | Title: Faculty Sets Higher Standards for Advising System for Concentrations | 1/9/1998 | See Source »

...minimum standards for the advising format include: the existence of a student file in which comments are recorded, two conversations a year between students and advisors, having advisors informed about concentration requirements and appointment of a new advisor if the current advisor goes on leave...

Author: By The CRIMSON Staff, | Title: Faculty Sets Higher Standards for Advising System for Concentrations | 1/9/1998 | See Source »

...listeners. "The stations play the same 50 records every week," says Mercury Nashville president Luke Lewis. "I call it Prozac radio." The hope never dies for a purer, "alternative" country voice, but that's hard to find on mainstream radio. "A lot of program directors come from the rock format," says Holly Gleason, a premier Nashville publicist who has midwifed the careers of stars Patty Loveless and Collin Raye, "and don't have a feeling for the country tradition. Their allegiance isn't to the roots; it's to the research...

Author: /time Magazine | Title: MUSIC: CAN GARTH SAVE COUNTRY? | 12/15/1997 | See Source »

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