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Word: formatively (lookup in dictionary) (lookup stats)
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...circumstances, but his circumstances carve him out as well"--is a difficult touchy task. To say that playwright Philip Hayes Dean's one-man play, Paul Robeson, starring James Earl Jones and directed by Charles Nelson Reilly, does as sensitive a job as could have been done, given the format and the conventions of the theater, may appear too easy. For this production has upset many of the people who were closest to Robeson, including his son, who has denounced the play, and a close friend who led a band of picketers who marched in front of the Colonial Theater...

Author: By Mark T. Whitaker, | Title: Of Love and Longing, Trials and Triumphs | 10/6/1977 | See Source »

...well, Mr. and Ms. Codfish, you can cat my additives for me. But, alas, upon sober reflection, I guess that in the balance, and for the moment, at least, I'm sold on Feedback in its present format. After all--it is good for something: as in their infinite wisdom the Cods have chosen to leave the backside blank, I was able to type this article on it. Also makes very decorative wallpaper for Spartan condominiums. But don't eat it: it may cause cancer...

Author: By Richard S. Weisman, | Title: Just a Bowl of Nitrites | 9/30/1977 | See Source »

...there is some superlative photography. Candice Bergen, for example, has produced a haunting study of Joel Schumacher, who wrote the screenplays for Car Wash and is currently working on a film version of The Wiz. The accompanying interview, with Liz Smith, is in a seemingly unedited question-and-answer format that often rambles, full of generalities. In this case, however, writer and subject are friends of long standing so they have a rapport lacking in some of the other pieces. You may not agree with Schumacher's most profoundly-held life truth, "that the world is divided between people...

Author: By Diana R. Laing, | Title: Trash | 9/27/1977 | See Source »

...will have to see the play to hear the ending, but suffice it to say that by the finale you'll see vaudeville as having taken on a symbolism of its own. The vaudeville format becomes a free and easy amoral metaphor depicting life as nothing but a flesh-pot carnival of the bizarre, where nearly everyone is a con man looking out for number one, and even a bit of free sympathy is hard to come by. The technique reminds one of "Cabaret", but the fast razzle-dazzle is custom-made Chicago...

Author: NO WRITER ATTRIBUTED | Title: Flim-Flam in 'Chicago' | 9/26/1977 | See Source »

...University has supported the magazine since 1973, when it switched to a new format, with general interest as well as Harvard and alumni-related articles, in an attempt to increase circulation...

Author: By Roger M. Klein, | Title: Magazine Director Slots Remain Open | 9/26/1977 | See Source »

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