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Protests and Payoffs. With punchy headlines and a tabloid format, the paper unflaggingly alerts its 10,000 readers to each week's environmental toll -an oil spill off Casco Bay, a fish kill at Mystery Lake, a historic barn razed at the University of Maine. Much vitriol is aimed at the paper industry, a major source of water pollution in the state. The Times recently flayed a new wave of fly-by-night operators who reopen abandoned paper mills for "short-term profit and long-term pollution...

Author: /time Magazine | Title: Resources: Trying to Save Maine | 10/31/1969 | See Source »

Albert seems to have brought things back together. The old format of pre-rehearsed improvisations has been dropped in favor of more spontaneous improvisations in which both locations and characters are solicited from the audience. Just from watching the group, one could tell that there was not so much anguish: the cast enjoyed what was happening, and worked as a team...

Author: By David R. Ionaths, | Title: The Theatergoer Revisiting The Proposition | 10/25/1969 | See Source »

Unencumbered by the luggage of tradition, and armed with that daring and brashness that is both the American virtue and vice, Jackson Pollock and others who followed him dispensed with the easel format, spread their canvases on the floor, and poured out tangled rhythms in loops and swirls of paint. What they accomplished was the destruction of form itself. "That liberation," says Japanese Critic Ichiro Hariu, "fired the imagination of artists around the world and touched off an artistic chain reaction." Adds Chicago Professor Franz Schulze: "Whether Abstract Expressionism was successful or not is less important than that it persuaded...

Author: /time Magazine | Title: Art: From the Brink, Something Grand | 10/24/1969 | See Source »

...wisdom. The show was introduced by a miniskirted blonde, one Louisa Moritz, a sort of Goldie Hawn with a Judy Holliday accent. Louisa sashayed through the rest of the program all too obviously deepening her rapport with the host. Next, in what is to be the series' standard format. Namath and Schaap quipped and kibitzed through film clips of the Jets' latest game. Dick reveled in the miscues, while Joe extolled the "pure grace" of his own passing style. Namath was more modest about his fluffs as a TV rookie. He kidded about his troubles with cue cards...

Author: /time Magazine | Title: Talk Shows: Broadcast Joe | 10/17/1969 | See Source »

...year-old master of TV who met Nixon in the fall of 1967, when Ailes was executive producer of The Mike Douglas Show and Nixon was a guest. Ailes' campaign assignment was to produce Nixon's television appearances. Ailes developed the "man in the arena" format, in which Nixon confronted a panel of questioners and a studio audience. "Let's face it," Ailes told a studio director in Philadelphia. "A lot of people think Nixon is dull. They look at him as the kind of kid who always carried a book bag, who was 42 years...

Author: /time Magazine | Title: Marketing: Programming a President | 10/10/1969 | See Source »

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