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Word: formatting (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...slide-show format allows us to present for the first time 90 "lesbian artists," thus, making it easier for the show to explore the diversity among "lesbian artists" across...

Author: NO WRITER ATTRIBUTED | Title: Re-Viewing Art is a Political Act | 2/22/1991 | See Source »

...insurance and shipping costs. The use of two slide projectors for Visible is a creative solution to the problem that the university is not free from the political/economic constraints of the Reagan-Bush era. Many of the individuals who participated in this project did so because its organization and format are a critique of "blockbuster exhibitions" often compromised in terms of content and message by the sources of their sponsorship...

Author: NO WRITER ATTRIBUTED | Title: Re-Viewing Art is a Political Act | 2/22/1991 | See Source »

...greatest flaw in the show is a product of the format. Seeing Tim Krochuk, Rouse, and Giering recreate "Bobby & Jackie & Jack," a song they sang together in last month's magnificent production of Merrily We Roll Along, reminds us that each of these songs was written for a specific moment in a specific play. Removing a song from its surroundings must weaken it, especially in a piece as dependent on the situation as "Pretty Women" from Sweeny Todd. Perhaps spoken introductions would restore some of the lost context...

Author: By Zachary M. Schrag, | Title: Sparkling Sondheim | 2/22/1991 | See Source »

Visible for a Change at the Lyman Common Room is an exhibit of lesbian art, or rather slides of 160 pieces of art. Although the works compiled are thought-provoking, the slide-show format undermines the exhibit's potential. As a result, the varied and rich collection of often ignored work is encased within an unsatisfying and frustrating show...

Author: By Suzanne PETREN Moritz, | Title: Lesbian Art for a Change | 2/15/1991 | See Source »

...cannot appreciate the works when bombarded with them in rapid succession. More importantly, the slide format diminishes the potency of the individual pieces. Slides communicate no sense of a work's scale, texture or dimensions. The work itself and the effort to display such a wide variety of lesbian artists is commendable but the pieces deserve more consideration than the slide format allows...

Author: By Suzanne PETREN Moritz, | Title: Lesbian Art for a Change | 2/15/1991 | See Source »

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