Word: formatting
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Dates: during 1990-1999
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...game are no doubt upset that an expansion ballclub, let alone a wildcard team, has actually made it this far in the playoffs. My dear traditionalists, the '69 Mets were also an expansion team (just as many other World Series participants and champions have been), and the wildcard format only meant that the Marlins had to win more games to earn their World Series berth than teams in the past...
Unlike the television version, the online game--created by Columbia TriStar Interactive--is in a multiple-choice format. Players log-on and can choose a category--much like in the TV game--and can select one of four possible questions for the given answer...
...earlier work and the rest of the series. With Chick Corea on a very plugged-in piano and Dave Holland on electric bass, the sound of the music is transformed and moves into a startling mixture of jazz and funk. The synergy between the musicians in this small ensemble format is remarkable, and the interplay is at times breathtaking. The sound is a mixture of classic jazz approaches and louder, contemporary rock music techniques. Taking the overall feel, as well as many of the tracks, from Bitches Brew, Fillmore East and Fillmore West are original and thoroughly excellent jazz albums...
...direction Coltrane was pursuing. The droning, buzzing sound of the oud, a Middle Eastern lute-type instrument, is the first sound to present itself, followed by Coltrane's and bass clarinetist Eric Dolphy's repetition of a hypnotic two-note motif. In the solo section, the performance assumes the format of much of the music on this collection-dense, angular horn soloing over essentially no chord changes. Even the appreciative listener has difficulty comprehending the music upon first exposure, and judging from the scattered applause following the performance, the audience may have been baffled as well...
...next tune, "Chasin' the Trane," is a contrast in several ways: first, it is played in a trio format with just horn, bass and drums. The song's standard 12-bar blues form also contrasts with the exotic eastern style of "India." Without a written melody or a pianist to play chords, "Chasin'" has a uniquely spare sound, and the second version is perhaps the most prominent and audacious of the tracks on the collection. Whether this performance comes off as one of the finest examples of spontaneous musical invention ever or as 15 minutes of earsplitting squeaks, is heavily...