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Word: forme (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...ancient China, wood was classified as an element, along with air, fire, water and earth." The "five categories" of China are metal, wood, water, fire, earth. Air is not one of the five. Fire, air, water and earth are the four elements of the Greek thinkers. The five categories form an endless cycle: wood giving birth to fire, fire to earth, earth to metal, metal to water, and water to wood again...

Author: /time Magazine | Title: Letters, Feb. 14, 1977 | 2/14/1977 | See Source »

...fact that Carter was moving fast and forcefully. He dramatized the crisis-and the presidential role in it -by hastily convening a Cabinet meeting, then taking a quick trip to frozen Pittsburgh. He declared eleven states disaster areas because of snow or drought, thus making them eligible for some form of federal assistance...

Author: /time Magazine | Title: THE WEATHER: The Icy Grip Tightens | 2/14/1977 | See Source »

...three of the 17 proposed amendments to the pending ordinance regulating the experiments had breezed through a special meeting of the council's Ordinance Committee before the regular council meeting, including the eight recommended by the Cambridge Experimentation Review Board (CERB). Those eight now form the basis...

Author: By Joseph Dalton, | Title: DNA Is Here to Stay | 2/12/1977 | See Source »

Lubovitch works with a similar sort of gesture in Stravinsky's "Les Noces"--highly specific, mimetic gesture, yet abstract, interesting as pure form. Ignoring the abbreviated libretto Stravinsky wrote with Bronislava Nijinska for the 1923 Diaghilev premiere, the choreographer presents instead his own vision of a Russian peasant rite, an innocent bride and shy groom, their anxious yet wise parents, and high-spirited friends. In a recent interview Lubovitch explained...

Author: By Susan A. Manning, | Title: Lubovitch at the Loeb, Soll, and New England Dinosaur | 2/10/1977 | See Source »

...EVEN TEMPO of changes in movement quality and the unvarying level of intensity in execution anchor the multiplicity of surface motifs in "Clearfield." The only larger sense of form seems to be increasing differentiation. In the first half Soll remains separate from her four companions, who change off in duets, trios, and quartets. In the second part she begins to interact with the others; the quartet breaks up and the choreography becomes more diffuse as each performer defines a sphere of his own. In this latter section there are deliberate breaks in the monotone of the first half. The dancers...

Author: By Susan A. Manning, | Title: Lubovitch at the Loeb, Soll, and New England Dinosaur | 2/10/1977 | See Source »

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