Word: forme
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Dates: during 1990-1999
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...Tonics, Harvard's third oldest a cappella group, was founded in April 1979 when J. Patrick Whelan '82, R. Andrew Reinhardt '82, and Robert S. Rivkin '82 decided to form a singing group...
...Nagy and other Bauhaus aestheticians, they reveal the abstraction inherent in commonplace details. When figures are used, as in Untitled (Clochard) their human identity is obscured. Bodies become compositional elements, mere surfaces for the interplay of shadows. Other images, such as the stunning Untitled (Bucket), utilize light to create form. The water in the bucket has a metallic shimmer to it, suggesting a solidified surface. Wols skillfully contrasts the texture of the rags' ribbing with the placidity of the water to create an image of restive calm...
...work for the fashion pavilion at the 1937 Paris World's Fair continues his studies of the form and figure. The Surrealist ambitions of Couturier's De Chirico-like mannequins, with their featureless faces and heavily textured plaster surface, apparently appealed to Wols. Cloth is more carved than draped as the mannequins cavort and tremble at their shadows, which chase them among the neoclassical columns that decorated their stages and pedestals...
...Nagy and other Bauhaus aestheticians, they reveal the abstraction inherent in commonplace details. When figures are used, as in Untitled (Clochard) ,their human identity is obscured. Bodies become compositional elements, mere surfaces for the interplay of shadows. Other images, such as the stunning Untitled (Bucket), utilize light to create form. The water in the bucket has a metallic shimmer to it, suggesting a solidified surface. Wols skillfully contrasts the texture of the rags' ribbing with the placidity of the water to create an image of restive calm...
...work for the fashion pavilion at the 1937 Paris World's Fair continues his studies of the form and figure. The Surrealist ambitions of Couturier's De Chirico-like mannequins, with their featureless faces and heavily textured plaster surface, apparently appealed to Wols. Cloth is more carved than draped as the mannequins cavort and tremble at their shadows, which chase them among the neoclassical columns that decorated their stages and pedestals...