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...human experience. Pilch seems to suggest that rehabilitation is an experience akin to religious purgation, or even experience in combat, referring to the time before and after as “civilian life.” Jerzy’s addiction even finds a human counterpart in the form of his obsession with the mysterious poet Alberta Lulaj, “the girl in a yellow dress.” Pilch’s memoir-like style blends black comedy, amateur psychology, and homage to Homeric epithet, like “Don Juan the Rib, in civilian life a hairdresser...
...that Schnotz was once just as inhuman a soldier as he is now a woodland critter, Schnotz’s Gollum-like wildness emphasizes his pathetic fall from the military, society, and humanity. In addition, Lind captures his subjects with kind of dual childishness and precision; in sketching the form of Bachmann’s girlfriend Helga, he writes, “Before their eyes stood a Valkyrie in a short blue dress, disclosing stout calves and powerful knees that gave promise of heavenly thighs… Her breasts were bigger than the legendary blue mountains and just as unlikely...
Last night, Leverett HoCo announced that the Spring Formal will be held in Leverett. Big woop. Formal veterans have perfected dancing under big white tents and turned open bars in courtyards into an art form...
...challenge those who listen to him—but Obama is still too hesitant to do so. During a recent press conference, for example, he essentially dismissed a question from NBC correspondent Chuck Todd. Todd asked why, if past presidents had had the power to call for some form of sacrifice, Obama did not ask for something specific now, especially since he purports to seek a “new era of responsibility...
...other dead person. I left home, carrying my child, who had turned wooden, like the table.” As originally conceived, this device is supposed to amplify an effect by presenting it in an unusual or grotesque way. The offhand presentation of violence and brutality certainly constitutes a form of defamiliarization, but the effect, conversely, is to sap the book of any real emotional power. Such descriptions abound in the novel in a flat, monotonous way, and the purely grotesque, after intense repetition, has neither comic nor dramatic value. Thus even those scenes which ought to be most powerful...