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Word: formely (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...affectations are really a form of group identification ("People who share my beliefs have long hair so I do too"), or, in many cases, they are a form of group denial ("I'm a Republican and I voted for Bush but I can still have long hair...

Author: By Elizabeth L. Wurtzel, | Title: Nose Rings and Narcissism | 12/12/1988 | See Source »

...Crimson finishes up 1988 still hoping to discover the magic that brought eight-straight Eastern titles to Blodgett Pool from 1979 to 1986. And some of that positive energy may come in the form of the squad's other co-captain, Olympic gold-medalist David Berkoff, who becomes eligible to swim on February 1, three days before the team's big dual-meet showdown at Princeton...

Author: By Joseph Kaufman, | Title: Unshaven Aquamen Fall to Army, 72-41 | 12/12/1988 | See Source »

...which normally carries some 60% to 80% of the blood's total cholesterol. This excess can trigger the formation of plaque on the interior walls of the coronary arteries, a condition called atherosclerosis. In time, this hardened, sludge-filled growth narrows the artery and allows a clot to form, severely blocking the blood flow. The result: a heart attack...

Author: /time Magazine | Title: Medicine: Searching for Life's Elixir: HDL, the good cholesterol | 12/12/1988 | See Source »

...country retreats. When the classics were revived by Renaissance scholars (no strangers to urban anxiety themselves), the fantasy of the locus amoenus, the sylvan wilderness as "delightful place," moved to the forefront of the Western imagination. There it still reigns, vastly complicated and mutated by real necessity, in the form of the environmental movement...

Author: /time Magazine | Title: Art: The Club Med of the Humanists, from Giorgione to Matisse | 12/5/1988 | See Source »

Artists, often quite dissimilar ones, share common sources. The themes of pastoral delight, installed in Venetian art by Giorgione (represented here with one rare, very rubbed drawing) and given monumental form by Titian, spread south and north through the influence of the Giorgionesque engravers Giulio and Domenico Campagnola. Watteau copies one Campagnola landscape; Rubens takes a motif from another, Rembrandt from a third. These hard, wiry- lined little engravings, with their slightly metallic nudes and sudden dark explosions of vegetation, are to the circulation of ideas about landscape what Marcantonio Raimondi's copies after Raphael are to the human figure...

Author: /time Magazine | Title: Art: The Club Med of the Humanists, from Giorgione to Matisse | 12/5/1988 | See Source »

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