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Word: formely (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...lost touch with my summer school friends now, and my course grades were so bad that I never bothered to fill out the form to get Real Harvard credit for them. But my summer at Harvard was still definitely worth...

Author: By Joseph R. Palmore, | Title: Recalling the Summer of '86 | 6/26/1989 | See Source »

...that is the extent of the association most women undergraduates have with Radcliffe--a check, a form, a signature. By appointing Wilson, the Board of Trustees is ensuring that things stay that...

Author: By Jennifer M. Frey, | Title: Selecting the President of a Non-College | 6/26/1989 | See Source »

...pulls to the curb and a woman shouts, "I see you're still throwing up bricks!" a reference to a game of hoops he played with Jesse Jackson for the TV cameras. He grins, turns back toward the car, bends his knees and launches a mock jumper. The form is bad, the follow-through is strained, but his fans cackle with glee...

Author: /time Magazine | Title: A Bright, Broken Promise: Washington's MARION BARRY | 6/26/1989 | See Source »

Guess again. The blond (Joan Jeanrenaud) is a cellist by craft, and the longhair (Hank Dutt) plays, appropriately, the viola. Along with violinists David Harrington and John Sherba, they form the Kronos Quartet, the nation's most adventurous chamber-music ensemble. No Haydn or Mozart for this earnest foursome. Works by Charles Ives and Anton Webern are probably the creakiest items in their wide, of-today repertoire. It ranges from Steve Reich's Different Trains, in which synthesized voices, recorded railroad sounds and minimalist arpeggios are combined in a haunting memoir, to a growling, down- and-dirty setting of Jimi...

Author: /time Magazine | Title: Music: Fanatic Champions of the New | 6/26/1989 | See Source »

...large works like the Nine Clearings for a Standing Man, 1973, Wilmarth achieved the kind of grandeur of light and pared-down form that one associates with Rothko at his best, and something more: the sense of a figure, not described but evoked by a flat vertical plane, behind the glass. Even in a smaller piece like Is, Was (Chancing), 1975-76, there is a fascinating exchange between dark and light, solidity and translucency, underwritten by the economical logic of its making: a single sheet of steel cut and folded, a single plate of glass. And the cables that hold...

Author: /time Magazine | Title: Art: Poetry In Glass and Steel | 6/26/1989 | See Source »

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