Word: formely
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When the Democrats lost Congress in 1994, some Representatives blamed the defeat on a party they felt had shifted too far to the left. These disgruntled Democrats decided to form a coalition to stand against their more liberal party members. They held meetings in the office of former Louisiana Representative Billy Tauzin, who reportedly had one of Cajun artist George Rodrigue's famous Blue Dog paintings hanging on his wall. The Blue Dog Coalition's website also lists as an inspiration the 1928 term Yellow Dog, used to refer to a Southern Democrat who was more likely to vote...
...cost upwards of $1 trillion over the next decade, there is probably no funding method more unpopular with the American public than taxing health benefits. Employers have been providing tax-free insurance to workers since World War II, when federally mandated wage freezes led to a bonanza in this form of nonsalary compensation...
...book says it's not just the public that's at fault but that scientists need to do better at connecting with society. Doctors get some training about bedside manner. Would it be good to develop a form of that for scientists? I love the bedside-manner analogy. What you have to do is change the culture of science in America at its institutions so this kind of bedside manner is part of the training. I do scientist training for media. First you have to fill their heads up with information they've never considered about what the media...
...1880s, some bomb went off in his brain. Ensor started experimenting with pencil drawing, teasing out a jittery, evaporating line that could dissolve form into boiling clouds of light. He applied it for a while to religious subjects weirdly poised between the sacred and the profane. Christ before an uncomprehending contemporary crowd was a favorite. That's also the subject of his most famous painting, Christ's Entry into Brussels in 1889. A cartoonish cacophony of marching bands and lurid faces, it's a mob scene straight out of South Park. (Unfortunately it's not included in the MOMA show...
Ensor drew lessons in form and color from Turner, Courbet and Manet, but the spirit of his work, the mad afflatus of his gift, owes more to the Germans. His devils are inherited from Bosch and Brueghel. His taste for the grotesque traces back to Grünewald. He, in turn, would hand on his caustic vision of humanity to the German Expressionists, younger artists like Emil Nolde and Ernst Kirchner who saw the possibilities in his combination of sour disposition and strident palette...