Search Details

Word: formful (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

B.A.D. Guys and B.A.D. Girls can pick up copies of "Boston After Dark" from 5:15 to 6 p.m. today at Lehman Hall or at the CRIMSON. Everyone else can pick up copies form 5:15 to 6 p.m. today at Lehman Hall or at the CRIMSON...

Author: NO WRITER ATTRIBUTED | Title: 'Boston After Dark' | 2/20/1969 | See Source »

...residents of Mower A were originally informed of the flooding by Dwight D. Miller, senior Adviser of the North Yard, who wrote to each of them, "I am sorry you have to return from vacation to the inconvenience and mess resulting form the water damage...in your room...

Author: NO WRITER ATTRIBUTED | Title: Repairs Begin on Flooded Mower | 2/20/1969 | See Source »

...case for some form of student participation in the committee's discussion in plain. The committee owes its existence to students discontent as it crystallized in the Paine Hall demonstration, and its explicit function is to investigate ways of meeting student demands for greater involvement in Faculty decision-making. Fainsod's group cannot hope to be effective unless it maintains constant and intimate contact with the constituency which is pushing for change...

Author: NO WRITER ATTRIBUTED | Title: Student Votes | 2/19/1969 | See Source »

...this type of establishment still can be found in the third stories of schlock discount stores and greasy two-bit eating joints. These are places where much-used women dance with strange men for upwards of six dollars an hour. They are not very cheery places, but they nonetheless form the setting for the new musical film Sweet Charity...

Author: By Frank Rich, | Title: Sweet Charity | 2/15/1969 | See Source »

...Stone aside, there is more talent in Sweet Charity than any other musical film around. Most astounding, perhaps, is Fosse, who makes his directorial debut with this film. As a Broadway choreographer, Fosse has been one of the outstanding conceptualists, blending his distinctive angular vision of the human form with the demands of a specific show. (His peak probably was How to Succeed, in which he transformed his chorus line into a human typewriter.) In Charity, Fosse manages to capture his dancers' frenetic contortions while never allowing the big numbers to crowd the actors off the screen. He also...

Author: By Frank Rich, | Title: Sweet Charity | 2/15/1969 | See Source »

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