Word: formful
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Dates: during 1960-1969
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...regarded as safely in Nixon's vault, teetered all night, finally fell into the Republican column. So did California, which fell to Nixon by a margin of perhaps 1%, at least in part thanks to a Wallace vote of roughly 7% that cut into normally Democratic precincts. On form, Nixon should have carried his native state by a far wider margin. Texas went narrowly to Humphrey. The state that finally sealed Nixon's victory was, ironically, Illinois. In 1960, Mayor Richard Daley's magical machine in Cook County helped nail down John F. Kennedy's presidential...
Mailer in his account of the Miami and Chicago conventions makes use of a certain objectivity for literary purposes--he refers to himself in the third person. But this is more than a mere literary device--it is a matter of form, and necessary if he is to maintain an aesthetic distance from his material, and be able to describe his involvement and his feelings with the freedom that impersonality allows. This--when the substance is of permanent or universal interest--is, of course, what makes literature...
...protest for any adjustments in the course," says Ray Hammond, '70, "it will not be in the form of a disruption. Any legitimate adjustments can be made easily. We're dealing with basically good people, and the relationship between black students and the faculty is direct, not indirect...
...order to practice formations. The Band Master shouted at me when I dropped my baton. We were forced to play music we didn't like and we had to cut our hair at neck length, and I know you won't believe this but once we had to form a dollar sign in front of 60,000 people! They tried to make us think we were serving the cause of good music and making people happy, but we knew the truth: we knew we were just tools of the academic establishment...
...Violin Concerto was the culmination of this search to reconcile modality and tonality, impressionism and germanic form. His Violin Concerto displays three of his leading characteristics: efflorescent harmonic textures, generative rhythms, and his own cyclical sonata-allegro form. The Concerto requires superb understanding of its organic interrelations as well as the ability to switch from intense but strictly controlled lyricism to propulsive technics...